puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8167 days

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  • Here since 21 october 2003
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The Biglietto and the Rovescio are much more rock (for example, the Area end up doing Jazz Fusion), so they should appeal to you. Alright, rock it is, let's do psychedelic blues prog then... anyway, I like them a lot :D
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Of course, without forgetting Electric Wizard, I wrote "we hate you" on the gravel.
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Ah, I listened to the CCCP because everyone here praises them, otherwise I wouldn't have bothered at all. Maybe I listened to them with seven hundred kilos of skepticism on my shoulders, but it’s clear that they are just a rock band, nothing more and nothing less. :D
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The best live Italian performance of all time (blowjobs all around, but they deserve it, no doubt). The peak of Area's charm can be found in the interview from the limited edition of Maledetti, when Paolo, asked "how did you react to the crowd's boos?" lets out a great laugh, legend. Personally, I consider the CCCP and later splits as the best of Italian rock, but in the overall ranking they slide down quite a bit, let's say they're a bit above Vasco Rossi's first album. (then that name... my god, it's off-putting)
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Prog Italico in my opinion (besides the Area, to whom I've already given too many praises) all the albums of Le Orme (now Superintruder is here to annoy with how beautiful "Felona & Sonora" is :D), Tilt by Arti & Mestieri, Il Rovescio della medaglia, for which I recommend the third one since the first two seem to me like the Italian Black Sabbath, Balletto di Bronzo I give a vote of Sirio 2222 (maybe there’s one too many or one too few), Biglietto per l'Inferno I rate all together considering I still have to explore them thoroughly (this isn’t Italian pop, this stuff needs to be studied), PFM from the 70s, New Trolls' concerto grosso, Perigeo is nice "we all have a Blues to cry" (maybe I like it more than "valle dei templi" because it has a nice title :D), and just a few days ago I was given "Albergo Intergalattico Spaziale" which abuses of Voices + Vocoder overdubs and tons of moog mellotron and hammond keyboards, right now I tell you they're really cool but I've listened to them 3 times, don't trust me :D
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Catharsis excites me much more than this year's, but it's a matter of genre; the illusion of motion is already quite metal. Cath is clearly Jus/Pike/Otis... if we want to include the m'asciuga this time, they are half hybrids between Spaziodoom and Metallopesssante. "Anfatti bello", 5/5.
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For me, they are the absolute best without competition in Italy, and they battle among the top 5 international groups. As for Balletto di Bronzo, I prefer Le Orme or Biglietto per l'Inferno or Arti & Mestieri (the latter especially for Furio Chirico, who in my opinion deserves the title of best Italian drummer). In Arbeit, I feel the lack of the “stylistic messiness” that, on the contrary, plays the leading role in Maledetti, “too simple” to be the best of Area (I’m talking about Arbeit), apart from the title track, which competes with Diforisma Urbano for the title of best Italian song of all time. But above all, and ever, and Metal Will Reign Supreme.
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Whoever finds the fifteenth century first will have my unconditional love forever. (I reiterate Maledetti the best Italian album of ever and ever)
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Absolutely nothing... regarding the WOOO--OOOOMBEN.
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After careful examination, we have the following ranking: 1. Francis, 5: He wriggles, elbows his way in, gets angry, takes punches, and sends messages; when Caz sends him where we know, he would do anything to go there with him, to repeat the ABCs of his personal musical conjectures. Highlander 2. Charles, 3.5: Honest and cautious, he puts two hands forward and one backup behind to neither read nor write; sparkling like a Barbera, he talks about "almost" and "novelties" as in the most picturesque of Montmartre cafés. Self-Confident 3. George Gordon, 3: Telegraphed like certain Genoese telegrams, he paints with cold strokes, without smudges; he argues a bit of everything haphazardly, without overdoing it. Epidictic 4. Abel, 3; The Editor catches him between missed capital letters and politically incorrect spacing errors; he does what he can, aligns himself with the genre's enthusiasts, and challenges the audience with a sardonic "hello." Domo 5. Stefano, 3; Clear and fluorescent like a firefly - we're talking about the insect - peeking out from an August bougainvillea; he unties the Gordian knot, roars with courageous Riotous
Name: Enea Ziliani | Date: 14/6/2005 | Rating: | Album Rating: <-- deserves to be in bold.