puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 7999 days

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  • Here since 21 october 2003
Voto:
Easy, they definitely leave a mark; when I hear someone say "can I ask you a question" I instantly think... "are you on your period?". It penetrates deep into my soul. They have an identity made like a collage; their identity is to dismantle everything they encounter and reassemble it as they please. And then I want a silo, yes I want it for humanity.
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And anyway, no one has told me yet what instrumental elements there are to save in this album; it should be "uniting music and words," and here there's no music, just beautiful words, the beautiful words that everyone likes, beautiful words for the people, nice pop-ular stuff.
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Just because the Spiars was built for a different target, since the target of pseudo-rock was already occupied by Bruce, they chose a different one for her. It’s just a matter of roles; a shit defender has different characteristics from a shit striker, but they both share the commonality of being shit players. I see the Spiars and Bruce on the same level, two shit musicians making popular stuff, whether it’s pure pop or pop-rock.
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Giò... marry me, I'm yours.
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Yes, if you call it pop there's nothing to say, Antimo, it can be liked... but defining it as Rock is an offense. It’s better if you call it “fucking commercial pop” :D. As far as I'm concerned, Avril Lavigne can be liked too... but don't come to tell me she makes rock.
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I ordered them on Amazon, I'll let you know soon.
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Dear MassimoF, the technique doesn't cloud my judgment at all, but if you tell me that the Everest of rock doesn't even have half a solo, then I'll give it a one. I know how to separate the reviewer from the album, but since in this review the reviewer spews a mountain of nonsense, I give them a one. "So powerful, so clear, so haunting." ... but where? Powerful compared to what? The Righeira? ... for me this review deserves a one, separating the album from the reviewer, a flat one for both.
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Ajeje, regarding your last agreement, acoustically speaking (or if we want in its "folk version"), I've already said it might have its reasons. In that guise, it gets on my nerves precisely because of its Dylan-Style, but at least it does what needs to be done. I don’t like it, but it comes down to taste. I'm talking about this version of his, the pseudo-rock70, the one that offends true rockers, the one from Born In The USA, which is laughable for how useless and unmusical it is, pop garbage just as much as Gasolina and Chiwawa.
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Beautiful Pollack... American Vasco, you are absolutely right, I had never thought of that. I fully support your brilliant observation.
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Maybe they were wild... they are just a pain in the ass, boring, flat, and bland, never a spark, never anything that makes you go "wow, that's cool"... total flatness. In fact, their members are completely unknown, four idiots who can only hit a couple of notes just right to put together some pop-rock, very, very pop, Britney Spears... I love rock n roll.