puntiniCAZpuntini

Worse than Lallabais, I can't think of anything, but the comparison fits… I guess Lallabais is hard to knock off the crap podium of 2005. I don't know, maybe I'm held back by the fact that at least Dredg tried to make an album, but it turned out kind of dull, while Homme just threw four pieces of garbage on the plate. Yeah, I guess that’s it; Lallabais is unbeatable, crap podium 2005.

"When the dick is at rest, the balls turn," this old saying that I often mention perfectly reflects Henry's sad situation. Without pussy, it's tough to get by; Clitobuster knows a thing or two about it, but in his millennial existence, he has learned to do without. Learn, Henry, come to terms with it, they don't want to give it to you. You know what you should do? Try thinking "better for them," you'll feel better.

I'm browsing the internet these days; surely there will be some testimony about the engraving of the CLV ;)

So what was it with Russo? ...Half right half left? Ah, Giubbo: Alex the Ram has no Center of Gravity, but Cassano has Barivecchia, so I agree.

Oh yes! Cansino was the fourth in the mixed doubles... damn, if Carmen was there, that dog in that film is at the top of her game, Oscar material.

Oh yeah... it’s an indigestible meatloaf. Too too melodic, so annoying. Leitmotif scores 10 to zero, El Cielo 7-8 to zero.

I recommend "Doppio Misto": Gigi Sammarchi, Andrea Roncato, Carmen Russo, and... another one I can't remember.

Regarding the topic of Cheating on Singing, I don't know anything about it Ajeje, enlighten me: where did he cheat? I've always read that all the CLV were recorded in direct capture... am I wrong?

No no, I explained myself poorly. I say and reiterate that he is the most technically skilled and vocally gifted of all time. This does not mean that talent is measured by technique (not even close), nor does it mean he was the best of all time. It only means that when discussing technique, he is the best without a shadow of a doubt. When it comes to the range of Tim Buckley, I say that Tim had it in spades, but so did Stratos. Regarding the "moving" aspect, it gets subjective, and when it comes to control, I wouldn't agree even if you shot me, since to my ears, it seems that Demetrio certainly had control; in fact, he had so much control that it made it seem like he was uncontrolled, with all the frequency bursts he could create with his voice... like all other discussions, these are subjective conversations. I was talking purely about technique, which can be measured objectively, and in that realm, nobody beats Stratos, technically the best. If you want to talk about great singers, the conversation changes, oh how it changes; then we also have to praise Johnny Rotten since it doesn’t seem that anyone before him did that harsh voice... and we must also praise Syd Barrett and his Freaky little screams... it’s such a vast discussion, I was trying to stick to the topic of pure technique. Not because it’s the most important, just because I wanted to reaffirm Demetrio’s supremacy in a technical sense. :D PS But why is it that every time we get into a niche discussion, you all come up with huge discussions that can’t be carried on precisely because we don’t have days and days to spare? I’m for the niche, for subgenres, for sub-subgenres, and for the classification of movements... small discussions that come to a conclusion; otherwise, we’re always there saying "The Great Pink Floyd..." :D

Because it was indeed easy to ride the Hard Rock wave in '72, right? There were just clowns like Hawkwind, Black Sabbath, Led Zeppelin, Deep Purple... super easy to ride the wave in '72, total nonsense.