puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 7993 days

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  • Here since 21 october 2003
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Jack La Motta says: That's All Entertainment.
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I haven't heard him live, but I like the way he sings on the album. It's clear that this album sucks, though.
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Here you go, you talk about '77, a miserable little movement, four brats who didn't want to go to school compared to those from '68. And let me reiterate that talking about the student movement doesn't give a damn to me; I got my middle school diploma and never attended high school for two consecutive days, just imagine how much I care about the sociopolitical impact. I just wanted to let you know that those social issues you claim were reflected in punk were the main topics of the music by Area, who by '76 were already on their fourth album excluding live recordings.
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No Lord, I didn't say that you said that punk wanted the revolution, I said that you said: “However, the area wanted the revolution and what did they change?” Because didn’t you write that? But why don’t we just stick to commenting on what someone says instead of interpreting words however the hell we like and coming up with sociopolitical treatises? You brought in student movements and the revolution, I’m talking about fucking music, punk music.
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Look, for example, the Consorzio Acqua Potabile is a Prog group led by the same people who were at the forefront of the "revolutionary" student group in Milan. I’m not aware of any punk individuals involved in noteworthy student movements. If you know of any, feel free to list them, as I might be mistaken. NB: I said WORTHY OF NOTE, it's not that your punk friend once participated in a strike and you throw that in, okay...
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Are you joking or can't you count? Does 1976 come before or after 1968?
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I never said that Area wanted a revolution, that's what you're saying. And look at how my review starts: "Poor things, in '77 they thought they had made the revolution, instead they just made shitty music." So with your last post, you’re even proving my point. And saying REFLECTED is also a ridiculous thing to say for chronological reasons; the Sex Pistols arrived LATE.
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You can never really talk about prog as an album because, for example, there are enormous differences between this and Genesis. As a movement, yes, and this is an album born with "musically progressive ideologies," which ultimately just means that "they were trying to do something different from others that didn’t fit into a precise canon." What I’m telling you is that the people who were throwing stones from the rooftops of occupied universities had this kind of albums at home, ranging from Consorzio Acqua Potabile to Albergo Integalattico Spaziale, Banco Del Mutuo Soccorso, Premiata Forneria Marconi, and Rovescio Della Medaglia, going through Le Orme, not the Sex Pistols, and I tell you this with confidence because the Sex Pistols didn’t even exist.
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Yes, I have a very precise bowel: in the morning at 6:00 and in the evening before going to bed.
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But when you talk about student movements reflected by punk, do you mean how you and your desk mate would skip school with the Green Day playing in your ears?