puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8164 days

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  • Here since 21 october 2003
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So it's official that the new guitarist has been seduced and abandoned. Cruel.
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At the March Tour were there three or four? No, because by now this is an interstellar dilemma.
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Mogwai never bought anything, everything has passed. Because it's a new way of thinking about vegetables, even Findus says so, not just pizza and hazelnuts from Piedmont.
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Really? ...How disgusting. I had never heard of it before, now that you mention there are Inter fans, it all makes sense.
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They were a trio until a few months ago, so it’s not so strange that they showed up in threes. Maybe the new guitarist was only needed to record the last album. Or maybe they seduced him and then left. Or perhaps he found love at the Covo in Bologna and abandoned music. Or maybe they didn't have the money to take him along as he would only be playing on the songs from the last album, so he wasn't worth the travel expenses for the good boss of Matador. Since it’s full of Fugazosis around here, it’s emphasized that the Meadow were launched by Tolotta, Joe Lalli’s small production house. It should also be noted that since they left Tolotta for Matador, the records have improved by three thousand percent. But I don’t think it’s Joe Lalli’s fault nor is it the merit of Matador, maybe it’s thanks to the starch with the handle. And so far, so good.
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Well, then don't say that these are serious discussions. Take that!
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No no guys, let's cut the crap. The greatest musician of all time is Plautarco Denominis, the tambourinist of the Roman Legion of Scipio known as the African. He opened with his shoulder-mounted tambourine battles on tour from Magna Graecia to Morocco and returned passing through Spain, making converts in all the places, robbona, everyone bowed to him and remained enslaved by his sound. Everything derives from him, he is the King, he revolutionized the style of RFSCR 'NWGR with dry rolls and offbeats that RFSCR 'NWGR could only dream of, not to mention the magical touch of his sticks and his revolutionary tuning of the tambourine. Bach is derivative, a poor fool, nonsense.
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But if you had said it like that, it would have been another story. If you say "let's talk seriously," the conversation changes completely. You know very well that I can write "you have hearing problems" just as I can write "oh well, I'm just better at making fries." Nonsense, come on, otherwise it's such a drag.
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Yes, but Enea, the fact that one has influenced the other does not mean at all that one is better than the other. Even if they are unintentionally influenced by Bach, Pink Floyd cannot be compared to Bach, and no one is better than the other as you wrote earlier. Don't turn the cards on the table; you talked about real music and better or worse, what a load of nonsense.
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Here’s Hal, but I actually "have it in for Aeneas" because he thinks there’s an Absolute evaluation of everything. He started by saying that Psychedelia isn’t worth a damn compared to classical music. The central point of the rant is the evaluation of two different genres, and that’s what I think is bullshit. I completely agree that Davis & Armstrong can be compared, and I even vote: Davis all the way.