puntiniCAZpuntini

The fact is that, like a good monk, I had put the title "Kraftwerk" to pique curiosity in the subject of the review, >>> Well, exactly: advertising choice = One. I see it too that it’s called that, but the one holds the same value for the commercial move. Regarding the Charts, I remind you that you were talking about Charts and absolute values of music of all sorts from 1600 to today; I’m talking about German Ambient records from the same year. There’s a slight difference in scope and mental gymnastics. I’m not comparing this to Michael Bublé as you compared Bach with Metallica; I’m comparing this to the First of Tangerine Dream, which is in the same exact genre, vein, and origin and is only a few months older, and Electric Meditation wipes the floor with this: more polished sound, catchier melodies, and more original atmospheres, but above all sound, because in the end, this is nothing but sound experimentation (of its time), and if it sounds bad, it’s worth little. Or the White Noise, a group reviewed by Kosmo a million years ago, also predates this and wipes the floor with it. In my opinion, this record has survived the oblivion solely because of Kraftwerk’s records after the third one; the first two Kraft albums, especially this one, are really worth little. If you add to that your alignment with the "let's exploit the name to the max" party, then it's one. Anyway, I don’t have the original version, nor have I acquired it, nor will I ever, it’s crap; do you think I’d spend money on it, huh?

Even Friday by The Cure fits perfectly.

He didn’t get the title wrong, he just got the group wrong. The title is right, it’s the group that’s wrong (which is worse, come on). But I would have still given him a one, because he also wrote Kraftwerk in the review, and also because this record is half bad. And then because I’m racist and he’s from the south. And also because Palermo sold Toni, who is like ice creams that are good but cost millions. There’s always a reason to give a one.

Even though... the butler... mmmhhh...

I didn't know this, that's why Earth were publishing on Sub-Pop. Even in my review, I was wondering why and how. Thanks a lot, you’ve cleared up a cosmic doubt for me. But I still think Dylan Dog has something to do with it...

Tax office bless you all.

Here, I'll also give you the lineup, Treasurer. Musicians: Ralf Hutter - Keyboards / Florian Schneider - Flute, Violin, Percussion / Basil Hammoundi - Percussion / Butch Hauf - Bass, Percussion / Fred Monics - Drums. Cashier.

I was saying that I needed to give you one. Accountant.

The record is by Organisation, that cover is a reissue with the name Kraftwerk just to sell. The group also included other people; it's not a Kraftwerk album. Anyway, I don't agree; this record is half a piece of crap compared to all the stuff that came out between '69 and '70 in Germany of the same genre-flow-type etc. I'm giving you one because you also titled it commercially Kraftwerk Organisation. This is the original cover -> <- You have yielded to the laws of the market, Financier.

No, that wasn't Dylan Carlson, but Dylan Dog.