puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7925 days

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  • Here since 21 october 2003
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But... even your grandmother? No, not her, she was kidnapped by Richie Hawtin who makes her do albums and then he names them subtitled 'plasticman' to look cool in proper techno circles, thanks.
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And the family? ... they died in a plane crash, thanks.
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Zuckerzeit by Cluster (already with a C at the time) I think you'll like. It’s not fair to compare since it’s from ’74, but you should enjoy it. There aren’t the cutesy little voices of Kraft, but still, the beats are very similar to Men-Machine, you know what I mean.
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How to put it, I wouldn’t know... I can’t find the words... let’s say... a rough draft.
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Mustard, I didn't say it sucks, it’s just out of style. But still, Tangerine Dream, as I said above, but after 90 posts, it's good to reiterate: it's just one example among the tons of similar stuff from that period, you know. There was already Czukay who, before Can and before this album, had made quite a bit of work merging electronics and various percussions that can also be found here, there was already Shulze, (K)Cluster and others. I just find it to be one of the many albums from that time and that area, as I've already told you 80 times, but I like to repeat it to be annoying, and it’s certainly the worst one that came out.
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But indeed Scanio & Calderoli are two highly comparable people, both "Italian politicians". Just as Tangerine & Organisation are highly comparable, both "electronic experimenters of German ambient-pseudonoise". Where exactly is all this difference between the very early Tangerine and Organisation? If you tell me that later Tangerine ended up in a bit too ambient and stretched-out territory to be comparable, fine, that Alpha Centauri is different, okay, but we are talking about the two albums released within a few months, Electronic Meditation & Abbozz Float, not discographies against discographies. Also, the Organisation only did this, which is a half-assed piece of work, or if you prefer, a sketch. You are the only one in the world who defends this album of "sketch-electro-experimental-sausag e noise & kraut-70". And then the mustard, come on, it's an out-of-fashion sauce.
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<< in THIS DISK the ideas could have been as clear as those of the TD.>> and you see that then the comparison makes sense, right? Before they were completely different and incomparable, as if we were talking about B.B. King vs Massive Attack; now, however, the ideas of one could have been as clear as those of the other. See? You change your mind with every post, I at least limit myself to once a year.
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40 to 37 for me. And with this 41. Double hit early in the morning, ò-ùh.
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But you see that you take an example and change it? The issue is Organisation-Tangerine Dream, not Kraft-Tangerine. That Kraft have nothing to do with Tangerine is obvious; here we are talking about Organisation. This is a record by Organisation, not by Kraftwerk. Everything started from there, from a nice two for this draft, and a nice one for this rec that takes a record by Organisation as one of Kraftwerk, just because in the reissue the record label added the name Kraftwerk to sell it. And it’s clear that the discography to burn because you like it is a joke; I’ve told you ten times that I had the discography on cassette and I even converted it to CD... eh. However, this is just a draft, and it is a record by Organisation, very similar in style to Tangerine, completely different from a Kraftwerk record.
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I never saw him live due to technical impossibilities; he was gone when I was little. The highlight, in my opinion between '69 and '75-'76, but I don't think it's a very objective view, given that he himself said that it was an experimental period where he wasn't quite sure what he wanted, and he """needed""" (lots of quotes) to surround himself with young and fresh minds. However, it resonates with me three times more than the other periods, for reasons of affinity with the proposed genre.