puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 7971 days

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  • Here since 21 october 2003
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Even Al-X has tastes similar to mine, it's true; he, Dj Rogo, and Bra (who has my same records, my same tastes, and was born just a few days before me; by now I trust him blindly) are undoubtedly better than the old Aelle. Regarding Aelle, they labeled Company Flow as "a peculiar but fairly enjoyable experiment," what a bunch of outdated fools with blinders on; I would love to hear what Sid has to say about the current scene post Co-Flow, about Def Jux, Anticon, Mush, and Lexolum, and whether he still has the guts to claim that "there's nowhere to go with electronics"... when instead, his beloved West Coast is thriving among the idiots and his adored Dr. Dre sponsors every loser that comes his way as long as they're tough. Well, but from a Genoese who names his newspaper after copying Kid Frost, one couldn't expect much anyway. In fact, it closed down, hooray :D.
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I have it in my favorites Rapmaniacz, I had read Danger Doom while I hadn't read the Perceptionists. Anyway, I really appreciate "Bra" from that site, the rest is average, while the Webmaster seems very gay and superficial with the cherry on top of idiocy being that "moro moretto" who is the epitome of gay when it comes to musical tastes. The inserts from the webmaster in the reviews of others are quite annoying, but fortunately, he limits himself to narrating every fart from the wu and leaves the good albums to Bra, who is a connoisseur. If you know him, give him my compliments, and if you know the webmaster, tell him he’s too gay.
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Ah, the Perceptionists are Akrobatik & Mr. Lif? I had already marked them as DefJuxers, but if it’s those two, I need to get them right away. Lif is an amazing dude, both Enter The Colossus and Emergency Rations and I Phantom are great records. Akrobatik since joining Detonator (which I still haven’t figured out who the hell owns that label, but I can’t find anything besides Akrobatik, and I’m starting to think it’s self-produced) hasn’t really excited me, his debut Balance is way better. Mr. Lif’s latest release is beautiful: "Santa's Got A Mudapphukkin Uzi," what a cool guy. Dj Spooky is equally cool, but some of his stuff is somewhat pointless. Among special projects, the one with Lombardo is nice. But I must say Lombardo improves a lot of things because he’s also a terrible cool guy like all his friends. It’s great to see so many terrible cool guys being friends and caring for each other, it spreads coolness and cosmic happiness. Down with the assholes, long live the cool guys.
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I'll tell you, on this page I've written more for the sake of discussion than for anything else. Rereading my random posts, I realize I don’t agree with a single one. The peak of it all is that I've even thrown in the urban myth about Berlinguer's houses, one of the most famous nonsense stories from my city, truly a must for laughter in political discussions in dialect. I don’t even know what to respond to you because I don’t know which of the many pieces of nonsense you’ve read, but I thank you because reading this sea of crap early in the morning has put me in a good mood.
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Okay, I got it. Tonight, before coming back for dinner, instead of the Blockbuster, I'll stop by the sex shop. Be ready for me, bitch.
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It excites me when you say it like that, bluntly.
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I can't do that for the Fugazi zzzzzzzzzzzzzz, otherwise they'll say I'm mean and that's not good. Anyway, it's not right to give a flat one to Kyuss even if you've listened to the album, I'll make you pay for it in some way. And it will be a cruel way.
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Yes Giubbo, you are absolutely right. Let's say it's a suspense effect.
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How to combine the lyrics of the best Italian singer-songwriters with the instrumentals of the best Italian progressive music. Real fuckin robbona abbomba, I even wrote an editorial with a text from this donodiddio.
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Well, there's definitely a boundary, that's for sure, but I see it more as a boundary of suggestion rather than of quality. The Cozza have made the only attempts at a Kyuss-like sound so far in this split, while the Kyuss have never done anything like Autopilot or In The Fade or Another Love Song, and since they’ve disbanded, I don't think they ever will. Both can appeal to listeners, either both or just one of the two, it's a matter of choice; there's no conflict between the two bands. It’s kind of like the Tool vs APC issue, more or less the points of difference balance out.