puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8163 days

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  • Here since 21 october 2003
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But for you, it can be whatever you want, it might even make you crap yourself, but who cares, the point of my comment is not "does this review make sense?", but rather "damn, how hilarious the true metalheads are, they're all cut from the same mold." I didn't even read the review, I saw the rating and the ending where "Ummagumma" is mentioned, I noticed their reviews with high ratings for the Dragons and I thought: "Holy crap, here's another representative of pure stereotypical breed!" And so, instead of laying out for the umpteenth time all the traits of a true metalhead, I just provided the link where Moon meticulously outlines all the characteristics that distinguish a true dragon breed metalhead.
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Please see the stereotype of the True Metalhead in the review of Moonchild by Acid Mothers Temple -> Electric Heavyland - Acid Mothers Temple & The Melting Paraiso U.F.O. - Recensione di Moonchild <- And then tell me that clichés don't exist. The true metalhead in question has only reviewed albums about Dragons and monsters, giving them high ratings, then said that the worst album by Black Sabbath was the one with Ozzy, and he rates something he doesn’t understand a 1 and pulls out the excuse of Pink Floyd and Ummagumma. All exactly as described in the stereotype set forth by Moon. You’re all the same, you make chickens laugh, you’re made from a mold. Oh my God. Read that review, then reread this one and tell me if it’s not all true.
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4'ossa, you can't really take seriously a review that says << because Shen stomps on him, steals his wallet, writes down the address, and in just a couple of hours has fucked the mom, the sister, and the cousin, and if he doesn't have the webs, even the grandma should fear the worst. >> Obviously, it’s all a bunch of bullshit, both the review and the comments.
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Wow, I see that you are also subscribed to the newsletter of www.tuttoquellochevolevatesaperesug liarea.com, great site that one, although I prefer www.sottoboscocampano.net, of course.
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Anyway, in the Campanian underbrush, it is rumored that PFM actually stood for Pagani Fariselli Mangoni, and that after a fight in 1985, the three of them split up, with one changing the name to Premiata Forneria, another joining the now-defunct Area just to stir the pot, and the third forming Elio e le Storie Tese. In the Campanian underbrush, they know one more than the devil, but of course always one less than the wise stagazer.
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So I'm listening to it again, I remember world music well, but I also remember a lot of melody... but it’s very likely I'm confusing it with something else or that the female voices left a stronger impression on me. Tilt by Arti & Mestieri is a great album, that’s definitely my cup of tea. Now I'm listening to Fariselli's first record, who before joining Area, played the harmonica with the MC5.
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Ah, I almost forgot: I wanted to share with you that I received a SIAE notice announcing that Pierò Pelù has joined the Litfiba after Terremoto, following Fariselli's departure (here's where Fariselli was before the Area, in Litfiba!)
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I should have the mp3s somewhere, it didn't convince me enough to buy it. There's half the world in that CD, I think three or more singers, Mauro Pagani on violin, flutes, saxophones, pianos, mandolins... it's that hyper-super-melodic semi-classical prog, nothing instrumentally intricate, too much Folk world music for my taste, and it's not exactly what drives me wild. Anyway, it's available; I think Pagani had it reissued in the 90s, if you spend 10 minutes you can find it. Give it a listen as a "special project," maybe I'll look for it and give it another ear, I might have changed my mind compared to a few years ago.
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If the answer is "no," then you got it wrong again, you should be absolutely ashamed. 3, 2, 1... be ashamed.
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Learn to download properly, because otherwise you just end up looking foolish. If you want, I can master this record for you, because it seems like you've downloaded something else if you can't hear Patrick's hyper-present keyboards. This review is hilarious, the Founder of the group who joins in on the second album... aren't you embarrassed?