puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8091 days

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  • Here since 21 october 2003
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Ah, Corey Taylor raps? Damn, you have a crystal-clear idea, boy, of what Rap is.
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I was just giving you some tips, I didn't mean to come off as sour, I even added the smiley ":D" and it's rare for me to use that. Maybe you wanted to buy it but couldn't find it, and since doomymood is run by a great guy, I recommended it to you. As for supernaturalcat, I mentioned it because, since you like this stuff, you should enjoy everything that is rocket recordings, so I recommended it to you. For Malleus, I made the distinction because, well, that's a long story that I won't explain :D PS I'm not a neighbor of Vitalini, I've never even seen him in person, but we have common interests and that's why we cross paths; the Italian stoner scene isn't that big, there are only a handful of us.
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Ah, fuck what Zack de la Rocha has to do with this, only you know.
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Great album: percussion, electronic effects, killer drive, nice riffs, beautiful bass lines, a singer with a pretty powerful voice. Surfacing & Eyeless easily overshadow a lot of the "True" discography from the late '90s. True, the second track is pretty much the same, meaning it’s an immense bore, that's for sure. And yes, the third has choruses and melodic lines that are terrible, that's true too, but this is a beautiful metal album. Cycociccio: you’re getting truer and, consequently, tragically sad, really.
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If you need to buy it, get it here -> link rotto / Low prices, perfect shipping in a few days, high availability of service and in Italian.
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Ah, Malleus is not the alter ego of the Ufi, it's the thonna of Urlo, connected yes, but not an alter ego.
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You can find as many copies as you want. They are sold out on their site because they have already sent them to online stores. You can find them at doomymood.com, you can find them at all that's heavy/stonerrock.com, you can find them on Amazon... in short, you can find as many as you want :D / The supernaturalcat is to mask the self-production, the supernaturalcat is a scream in its own home. In reality, the label is Rocket Recordings, the same as The Heads and some other underground English bands.
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Of course not! I always follow the guidelines: I've never reviewed an album that's already out, I've only exceeded the word count once out of 70 reviews, I've never provided a descriptive commentary on the tracks to praise, only a couple of times out of 70 to tear them apart. Anyway, in January I've already written two, as per my usual average, two a month.
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Aside from "Hellcore," which is really beautiful, quite outside the usual norms of the group and ultimately an excellent mix of various stoner sounds, the rest is more or less a reworking of old stuff. The effect is more or less unsuccessful; they wanted to try the psych-post-rock path with Astrodronaut, Hypnotized & Lucifer Songs, but it really didn't turn out well in my opinion, while the rest of the tracks are pure standard ufomammut, certainly included to "cut" a bit the shift in sound. If the "new" (new for them, eh) stuff had turned out well, I would have appreciated it, but it didn't. The old stuff is nice, but not as nice as that from the other albums (always excepting Hellcore). All in all, it's an excellent album if you don't already have the first two at home; if you do, you might just leave it on the shelf... the record. But they’re clever, and they've included the videos, so in the end, it still has to be bought. An excellent transition album made with one less person, but still a transition album. The only one who gets top marks is Vitalini, the coolest drummer in the Italian scene, a man with a reason.
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(...) And not only the sole ones, there are also The Deep with their "Psychedelic Moods" from '66, which is indeed a half-hour delirium under heavy drug influence, and let’s be honest, nowadays it also comes off as a bit of a mess (in the sense that taking away the historical value, its beauty shrinks considerably), but the fact remains that it is also a launching pad for what the Germans would do LATER, and The Deep were from Philadelphia, USA. Besides the fact that Schulze drew heavily from Ligeti, who was indeed Romanian but worked in the USA. Defining where it all started is practically impossible, but it seems to me that at the starting point, Germany has little to do with it. Nevertheless, it must always be emphasized that during the development phase, it was the absolute queen.