puntiniCAZpuntini

Babbà: it's taken from Mein Kampf.

I don't command, I don't publish, I don't decide anything on Debaser. At most, in a state of interstellar exaggeration: I just make up the numbers. I just want to emphasize that the summaries of other people's thoughts make me feel sorry. Moreover, you don’t even understand what someone means; saying that San Peppe considers "Blues For The Red Sun" Pink Floydian music is an offense to him, since he was only highlighting its historical value, and you make him look like an idiot. The fact that in an album four years later they start a song with the bass, a slow and rhythmic riff in 1995, makes you think they are similar to the Floyd (Let There Be More Light? If so: are you serious?) shows that you reason by copy-pasting from 80 opinions you read here and there. If you follow Scaruffi, then you're in a great place. Just as you tell "Froci & Laziali" that they are included in high-risk categories for you, I simply warn you that I have a problem with idiots like you. Since no one gets kicked out on Debaser, I’ll say it plainly: maybe you’ll leave on your own. No one will kick you out; stay as long as you want—I'm just clarifying my point of view: you seem like a fool to me. There's a de-gustibus when it comes to records, ice creams, colors, and even people: you seem like a fool to me. Appreciate the honesty and competitive spirit of Debaser: you seem like a fool to me.

It's a record made by four kids, worth no more than millions of pure and simple Hard Rock albums. The difference between this and the others is abyssal, really not even comparable. Lewis, bar talk is always fun, come on, without bar chatter, what a drag...

Ah, but you should read more about Perkele, given that you still forget to mention the true creator of Kyuss. When is your next review going to be the result of your "consulting reliable sources"? But stick to Wretch; it's pointless to cite other albums that are very different from this one that have nothing to do with the discussion. Besides the fact that on your blog you even get the title of Welcome To Sky Valley wrong as (Well Come To) Sky Valley. But where did you see the parentheses, on Scaruffi or on some other fucking site where you go to copy? Moreover, from the only reliable site you consulted, you take historical comparisons for musical ones. You're a disgrace.

Damn, you even read that one from the Fatso. Wow, you’re a fan of ours... if you disappear from de-baser, I’ll send you a t-shirt home.

Love, you understood very little about Peppe's bio; the comparison is historical, not musical. You could say that Blues For relates to stoner like Boom Rush The Show by Public Enemy relates to rap. It’s a historical comparison, not a musical one; you’re a bit limited, huh? And especially before you trash San Peppe, think twice: it’s Ondarock that copied Peppe, not the other way around, check the release dates before you speak. As for the rest, your quoting idiots of your caliber from other sites only feeds into what I think of you: you have no brain, you reason by copy-paste. We don’t give a damn here about someone who summarizes what they read from the web. You’re a pathetic jerk, as your blog testifies, which is the saddest thing I have ever seen on the internet. "the faggots, the Lazio fans, etc. etc."... come on, do us a favor, evaporate.

Antmo, free the rocker inside you, and say it loud: AH CICCIO, WHAT THE HELL ARE YOU SAYING?

Beautiful fantò, we said Hawkwind together. Let’s make ficche and flocche.

But I would say much more the Hawkwind of Doremifasolatido, you see Brainstorm, in Sky Valley. I mean, the Floyd went down in history for their use of electronics, not for guitar riffs. Since when have Kyuss ever put keyboards and synths in the spotlight? Come on Alias, join us in a mafaccilpiacere comitivo at Cicciococco. Regardless of whether this album is good or bad, it has nothing to do with the Floyd, neither this one nor the others.

Easy, forget it, with him as you can see it's a lost cause from the start. You're trying to engage in a conversation with someone who, when faced with the statement <<< la mortadella che hai mangiato ieri non è morta, vive sotto il nome di stronzo che farai stasera. Non è morto, si è trasformato. Per cui tu puoi anche mangiartelo quello stronzo, perchè non è uno stronzo, ma solo mortadella trasformata. >>> responds with <<< Un panino di merda? Io mi mangio un bel paninozzo con la cara, vecchia e sana mortadella. >>> In his vocabulary, the word change and/or mutation does not exist. For him, what is at the start remains. But seriously, someone who tells you that Portishead are rock... with all the open meaning you can give to rock, but Portishead, come on. A guy like that is made to eat shitty sandwiches believing it’s still mortadella, there’s no other solution.