puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7911 days

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  • Here since 21 october 2003
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Obviously, there’s a steel factory on the cover. In reality, it was a subliminal message for the stock market debut of the English giants. Deep down, Waters was a Broker. No wonder Riccardo named his album Broken China, anticipating the wave of Eastern products in our years. From The Economist to Pink Floyd, the step is short. All that glitters is not gold, as Jamey Jasta of Hatebreed used to say.
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But where is the controversy? What is it? Warmongers, always looking for conflict... what terrible people... animals...
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<<(maybe)>>. Do you see that you’re predisposed to fight? <<We’re trying to comment on a concert here, not make sense of your day>> And where the hell is that written? Do you happen to see any disclaimers that say "attention, we're trying to comment on a concert here! Other things are not allowed!"? You try to comment on a concert, good for you. I share my thoughts on this painful tour, good for me too. How closed-minded you are, wrapped up, predisposed, standard. Men in assembly kits from the counters of Ikea... in a word: losers.
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First, it's obvious that I haven't read the review. Have I ever uttered a word about the review? No, just as I haven't uttered a word about the supposed bourgeoisie.
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I believe the problem stems from the preconceived notions that grip the minds of many. If you mention exorbitant costs for a concert, many immediately perceive that for you everything is overpriced, and according to you, you must screw the bourgeoisie or, alternatively, boycott them. If you say that Gilmour's tour was a joke, many quickly interpret that you think Gilmour is crap, and this and that. The real issue is that people read, and they never stick to what you actually wrote but instead elaborate on "your cosmic thought according to them." You write "this is crap," and they understand "the whole world is crap and the universe is diarrhea." Commonplace never die, and gaggioes will reign supreme.
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"Controversies" and "fake purist"... what does that mean? I say: Spending €46 to see Gilmour? You're crazy. Out of this have come: bourgeois philosophies, fake purism; if you're on the left, you can only be an underpaid worker, criticisms of Gilmour, '68, '70s protests... I just wanted to say: spending €46 to see Gilmour in the second gallery? You're crazy.
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You pulled the "bourgeois" speech out of your own hat, just like the one from '68; never spoke about such filthy bullshit. Anyway, everything always has its usefulness: from this, we've managed to extract the hilarious gem of the year, << yes...maybe I'm a bourgeois. by voting left, I'm probably being a bit more of a jerk. >> Damn, what a deep thought. So someone who votes right should feel guilty if they don’t have a Ferrari? But hasn’t anyone told you that the mid-season, alas, is no longer here? Maybe we'll all see each other at that meeting, the one where once it was all countryside.
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The W*uck is managed by a handsome man, and this is a great truth.
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Shine, you know I adore Gilmour. That doesn’t detach me from the thought that this concert was either a joke or extortion. If you think about it, David Gilmour as a solo artist isn’t worth a damn. His albums have made the history of music in his living room, at best they’ve influenced the bedside table and the chimney of his mountain chalet. I'd pay 100€ for tickets to see the Floyd, not for a damn nobody. The fact that he shows up and serves us things he participated in but didn't solely create seems like a joke at that price. These are bullshit for people who need timeless myths, like Floyd Man who is proud to have given 109 Euros to someone who has been doing the same stuff for, damn, thirty years. With 109 Euros, you could have gone to see about 10 concerts of people who are actually working to push the music forward. Giving 109 Euros to a joke is like galvanizing the crap that is the current music biz. Then people complain about the prices they have to face to follow music, well no shit, if there are folks who are boosting these jokes. Regardless of how much I love Gilmour's guitar, these are concerts to avoid at all costs.
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Let’s clarify that 46¤ were for the second gallery, not something out of the ordinary. Basically, it was an armed extortion by Strato. Keep On Babbio, The Gaggions Never Die.