puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8161 days

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  • Here since 21 october 2003
Voto:
From the control room, I'm reminded that point 2 also inherently contains a point 3: the pieces I considered useless fucking interludes turned out to be not useless fucking interludes, but fabulous "samples" for producing a fabulous track. Therefore, having removed the annoyance caused by the "time wasted on interludes," the rating goes up to 5 with fewer regrets.
Voto:
Never said it was a shit album. I said, and I reiterate, that Maynard on this album is shit, he ruins it, and it was better without him. I would have preferred Jones chatting with Carey as the voices. Before I gave it a 3, now I give it a 5 for two reasons: 1) when properly equalized, Maynard hides very well under the bass, which on this album is really recorded at an insane volume. 2) The Ghost Track is fabulous, and I discovered it after a couple of months as it was meant to be composed. Without the Ghost Track it would be a 4, and without the bass recorded so powerfully it would be a 3, like before. Maynard, I reiterate for the umpteenth time: in 85% of this album it's annoying, damaging, unbearable, and makes you nervous. On the "la la lai lalalaààà" of Vicarious, there's life imprisonment. Besides being an enormous idiot as a person, it's impossible to notice every little flaw of his, but here the flaws are quite a few. Always and only his, and not the band's. Re-re-reiterate.
Voto:
I mean Formalist work? I really don't understand the meaning of the term applied to the album, but also to music in general. In the sense of "too much form, too little substance," or exactly Formalist, in the sense of Formalist, and so we go back to square one with: I mean Formalist work?
Voto:
But no, make it in stone! en-tusiasmo, e-e-entusiasmo!
Voto:
And now let's move on to one versus one! en-thusiasm, e-e-enthusiasm!
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Our TV show is better than the one on Requiem For A Dream: e-e-enthusiasm, e-e-enthusiasm! We have a winner...ooohhh...
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No way, modern stuff. It connects directly to the satellite. You have to plug the antenna into the appropriate jack.
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Ah, Qzè: if you press the buttons, it sings songs.
Voto:
The track to be composed with the sampler is fabulous. I believe it's the best on the album, definitely among the best by Tool. Jones is stupid for breaking up tracks to be reassembled at home throughout the album, but the work involved is well compensated by the awesome result. It's a shame about Mammaynardo, which still annoys me even after seven million listens. It's also a bit of a shame about the lack of electronics included, but never as much as the annoyance caused by Mammaynardo. Still a solid 5, it's not the best by Tool but certainly in the top 10 albums of the year. Make yourselves the twelfth track, otherwise you’re gay.