puntiniCAZpuntini

Ah, and the drums of Your Never Be Right. More beautiful than interludes is the fact that you can say "the drums." Like at Mondial Casa, you can choose between the silver plate ones and the 10/10 steel ones. Or you can show off to the max with "The Interludes of the Drums."

Ant, I particularly dig History Of A Bad Man. You can sing along like it’s Ricky Martin, but it hits hard like Eyehategod. And that’s not an everyday thing. No no no.

Here it is, this is sfasciacarrottiano. From the curly to the round, everything included :D

It's all good, Qzè, I don't think I've ever seen you exult over a Sludge record, so it makes sense that you miss the references. The goal was to write a Buzzopera, or a Tele Buzzelas. Many nowadays only follow a few years' worth of paths, and they don’t understand a thing because they've missed 20 years of episodes. But they watch it, and the director is happy with that. Oh, I almost forgot: you play the part of Jr. Don't say I don't think of you.

mmmhh... break it down and get into the details in parentheses. I compressed 60 albums into 40 lines and glued words together. It's not that I mind the combination, on the contrary, I welcome it, but I can't keep up with you :-)

Punisher, this time I agree with you: it’s rich, complete, and written in an irrefutable way. It’s not my fault if you don’t understand the references; they’re simple and all about people with at least 10 years of career, some even 25. You don’t need to specify every time who the Melvins are. You don’t need to specify every time that they are called Buzz Osborne aka King Buzzo and Dale Crover. You don’t need to explain every time that they’ve changed 5 bass players. You don’t need to explain every time that Dale Crover has put on a lot of weight and so has Buzzo. You don’t need to explain every time that they record for Ipecac, Mike Patton’s label, detailing who Mike Patton is, who plays with Buzzo in Fantômas, where Mr. Bungle, Melvins, & Slayer also play. You don’t need to specify every time who Napalm Death are, how and when they played with Buzzo, who the Dead Kennedys and Tool are, and where and when they played with Buzzo. You don’t need to explain every time that Crover is married to Lori from Acid King, who are practically the Altamont with the husband instead of the wife. You don’t need to explain every time who Porn (Men Of) are. It’s not my fault if you don’t know Big Business, the only Sludge band without a guitarist. You don’t need to state in every review what genre they played on each album. There are other reviews and related comments for that. It’s no longer a four-page debaser; just by browsing around, even without this review, you can know everything about the Melvins, from how many albums they’ve made to what the second bass player’s favorite dish is. Repeating yourself is annoying. I compressed the career as much as I could, covering all the highlights, from A to Z. It doesn’t get more complete than this. There are two things: either you hate hard rock like Metallaro Bionico, who doesn’t care about the Melvins, or you’re ignorant about Hard Rock despite liking it. Choose what suits you best, but don’t worry; anyone who knows even a little bit about Buzzo understands everything. I’m not here to write biographies for anyone; those who understand are already interested; I don’t have to convince people to listen to what I listen to. Here everyone is grown-up and vaccinated and knows what they want to listen to. The one surrounding themselves with infants is you; I’m good with my peers.

Jimbo, I haven't deciphered the (The), maybe it's a joke at their own expense since in twenty years of career this is the second album of songs out of sixty products, so they've said this is an album for commercial types. How can it be that they put it there just to say "oh, there's something different, we have two drummers"? Maybe they decided on the title (A) Senile Animal and since they didn't know what to do, they added that the in parentheses. Maybe they want to confuse searches in peer-to-peer. Maybe Patton sent it to print just to mess with them and showed them the cover after he’d already printed ten thousand copies. Maybe Buzzo did it to mess with Patton, who recently bought the Mouse On Mars coming off an horrendously commercial album. Or maybe Willis said "no, I'm not going to be the second drummer unless you put a the in parentheses." Maybe he's doing it to mess with Crover and his Porn (Men Of). The fact is that now Buzzo uses the The in front, even in interviews. Even the MySpace profile is titled with the The. To get the pure truth, as you surely know: you can only ask Enciclopedia Poletti.

Qzè, I would have never expected such a gap from you. You're missing two volumes of the universal Poletti. The first is entirely dedicated to the AA.VV., while the second is a special volume completely devoted to Aaron Turner, in which the Magnificent Poletti analyzes Aaron's influence, starting from post-core all the way to the immeasurable contribution he made to Fred Buscaglione in defining the foundations of Italian Drum N Bass in the 50s. I take my leave; those who do not have the universal Poletti are not worthy of me.

- No one ever heard Celentano passing the zarri in handiwork - Peppino Mereu, Genesi, Canto 5.

Ambogo, you’re tough, like a sandwich from Renato two days ago.