puntiniCAZpuntini

<< In two comments you must have said about 1000 nonsense... >> List them, one by one, as I listed yours. << Moreover, I said you have "CONCERTS" (and read carefully, blind one, because you don't get anything else) screaming "Hey ladieeess!!!!" >> And what does that have to do with anything? I contest the fact that you say the album opens with that track, when instead it’s in the middle of the album. << For them, back in the day, the album sounded experimental >> To me, it sounds experimental even now, who told you otherwise? I contest the "College Rap," which is utter nonsense.

For now, album of the year.

Everything starts from distorted notions written by others online, and consequently copied by those convinced it's true. The internet is so overflowing with nonsense that you can hardly trust even the official sites. Either you have the booklet, or in 90% of the cases, you’re just spouting nonsense. Just spend ten minutes reading Wikipedia on music pages: it’s enough to get you arrested on the spot.

<< the Def Jam of Rick Rubin >> Yeah, right. Rubin works everywhere, and you think he has time to manage Def Jam. Def Jam belongs to Simmons & Rubin, but it’s Simmons who runs it. << this product under Capital. >> Yeah, right. It's CapitOl, Capital is a whole different story. Not to mention the small detail that Capital is the support label, after the "vicissitudes" you talk about (even though, in the meantime, the BB still produced stuff; it’s not like they were just waiting for Simmons) they created Grand Royal, all on their own. << all products by the Beastie Boys with Mario Caldato Jr. and the Dust Brothers who give the crossover imprint to the album >> No. The Dust Brothers chose the samples and laid down the Rap version beats, Caldato just did the simple sound engineering, and the BB gave the "crossover imprint" by rapping over some things. << The CD opens with "Hey Ladies," >> But where? I don't quite remember where Hey Ladies is, but it's definitely in the middle of the album. It's annoying, the kids who download albums like it's nothing and give completely skewed history lessons. If you download the album and don't know who made ùillis and who made piergeorge, don't mention it. You don't even know the tracklist, and you start chatting about "a bit of that college rap, those atmospheres that were felt at the time in America." Have some decency; just talk about the album: you'll look better. The "College Rap" at that time was something else entirely, names then lost to time like Vanilla Ice or MC Hammer, not the Beastie Boys.

So search online for the short films by Bonifacio Angius, "our" young promise.

The biggest laughs I've had in front of the TV, my favorite comedian.

Have you checked the highway website? :D Yes, you guessed it.

I watched it gladly: suicides, butter, horns... and it ends badly. It would have been a masterpiece if he had killed her too, what a shame, by a hair's breadth it could have become my favorite film. Oh, even a bad accident where she ended up disfigured would have been enough.

Unfortunately, my listening time is limited exclusively to the car. So I've completely eliminated the Drone since it hardly has a place in the car. I still feel the need for it, and every now and then I give it a try, but really, it just doesn't fit in the car at all. Say hello to O'Malla for me, give him lots of kisses from me, and tell him that I miss him.

But in fact, I never said that you got angry; you’re getting confused: I was denying the "anger" in the record, I wasn’t talking about "your anger." I read what I find written and I evaluate it, without guessing, so I don’t know and I don’t care to know if you’re angry. Also, because I find it hard to "guess" what lies behind a Tahoma font on a white background; I’m not Word Xp.