puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8161 days

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  • Here since 21 october 2003
Voto:
I wear a tracksuit <from the market>, Maldini wears a tracksuit <from Milan>. But not 5 sizes too big. That's the central point that makes me say that you and "Paolone Cuore Di Drago" wear a tracksuit, while Said & Huber dressed like rappers. Or without oversized sizes, but with jeans underneath. Fashion is fashion for small details. If you have a hoodie, you have a hoodie; if three years ago you had a FIAT hoodie, you were fashionable. I don't care about being right, I just want to complete the review by saying that everything you wrote is correct as well as beautiful, but you forgot to mention that it is set in the nerve center of what was European rap, that's all.
Voto:
Ah, I almost forgot: << it doesn't seem like the central element >>. In fact, it isn't, but it's the central and unique setting. Not exactly a trivial matter.
Voto:
<< Said is wearing a tracksuit, >> Exactly. And 5 sizes too big. << Houbert in a tracksuit >> Re-exactly, and 5 sizes too big. << Vinz in jeans >> With the tracksuit jacket, adidas. << Looks like you've seen Eminem's movie >> That one's fake, Kassovitz, on the other hand, perfectly captured the environment. Perfectly.
Voto:
But what does the soundtrack have to do with it? The film starts with Said tagging the police van. Said dresses like a rapper, Vinz dresses like a rapper, Hubert dresses like a rapper, everyone they hang out with dresses like a rapper. When they greet people, they only give rapper-style greetings, they only go to places where people breakdance or rap, and in every background image, there are """graffiti""". The soundtrack could have been done by Mirko & The Beehive, but it would still remain a tremendously rap film.
Voto:
Subtitle: "How to Ruin Irvine Welsh in 90 Minutes." Although Irvine has a cameo as well, everyone needs money and fame.
Voto:
Well, I didn't understand you. You didn't even write the word "Rap". We're on a site that’s primarily about music, you’re reviewing the absolute manifesto movie of "European rap culture", and you don’t even mention "Rap" once. In fact, you mention the one song that has almost nothing to do with it, which is Marley’s. Here, there are appearances from a ton of "famous extras", from DJs to breakers. You had the chance to connect the two sides of the site with a single project, and instead, you reviewed it as if it were a film with nothing to do with music. Oh, the "guy who plays records at home" is His Majesty Cut Killer, not "the guy". I would have been happy if you reviewed Lock & Stock & Two Smoking Barrels and didn’t recognize Sting, but Cut Killer in La Haine by Kassovitz is simply unforgettable.
Voto:
The new album was supposed to come out in 2006. Instead, hell no. At least we know they didn't break up, but after 4 albums in 4 years: complete silence since 2001 or 2002 (I don't remember exactly, but around that time). Anyway, in two weeks Jesse McCartney's new one comes out, so we're good.
Voto:
I liked it. The first time I saw it, I watched it twice in a row (dubbed), then I saw it another two times (subtitled). Nice, I liked it. It's just that he's a senseless killer, and he killed his wife but doesn't know it, yet I liked it. The review, though, is the usual "I explain the plot": a total bore.
35007 Phase V
5 mar 07
Voto:
The first of the Monkey3 is shamelessly inspired by 35007, so with the Loose you go straight to the source. The second one was released recently, and it seems to me less "derivative" and more personal. They are Swiss, so I believe some dates in northern Italy should come up.
Voto:
They should give us Iommi back then, rather than the Mona Lisa.