puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8011 days

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  • Here since 21 october 2003
Björk Volta
7 may 07
Voto:
I'm giving the vote, following my own criteria. And I didn't write "only extravagant reviews are worth 4 or 5," absolutely not, I didn't write that. I wrote "For Bjork, so extravagant, an extravagant review was needed." And I wrote it myself, personally, so I believe it's a "personal judgment," not a "universal" one. If instead of reading my nickname you read "universal judgment," and instead of reading "For Bjork, so extravagant, an extravagant review was needed" you read "only extravagant reviews are worth 4 or 5," then I don't know, maybe you need to update your browser. Perhaps you're missing a plugin.
Björk Volta
7 may 07
Voto:
Come on. This review is a load of crap, it's a flat, monotonous, predictable waste of time and on top of that it mentioned all the features except for the most important/present/incriminated one, but after 4 listens you know this album by heart. It's a one yes, but not because of assimilation. For Bjork, so extravagant, it needed an extravagant review. Instead, even the criticisms are predictable "you haven't listened to it enough!", what a drag. Young people today have no imagination.
Björk Volta
7 may 07
Voto:
I almost forgot... that of Jennifer Lopez (especially) & Beyoncé.
Björk Volta
7 may 07
Voto:
Some tracks are produced by Timbaland. The one by Justin Timberlake. The one by Nelly Furtado. The one by Christina Aguilera. The one by Janet Jackson. The one by Jay-Z, Missy Elliot, and all the "easy" twists by various rappers. And, I never would have said it, but one track is really good. Sure, there's that one with the beat going one way and Bjork going the other, but I expected worse. It's a nice album, very easy to listen to, but in its genre, it definitely commands respect. From what I can tell, I think Bjork needs to cash in so she can afford more Medulla or Drawning peppeppero 9.
Voto:
In fact, "garage" is among the least accurate terms I could find, even if psycho managed to grasp its meaning (it wasn't meant to imply "dirty"). What I don't quite like, more than anything, is the Hippy attitude. Not that there's anything wrong with it; in fact, they often mix it with really tasty sounds, but it gets old quickly for me, like all things "cheerful." My Metal side rebels :-)
Voto:
The new album is an album. Songs. Wow wow wow, just songs. Old Bjork back to kick asses.
Voto:
<< rap originated as the musical genre of black people; when some disgusting white person sniffed out the business opportunity and turned this music into a commercial phenomenon, they completely bastardized it for all the black individuals who saw rap as a way to express their ideas. So if you see a white person trying to be a rapper, know there's always a dirty entrepreneur behind it who lives off the money of the fools buying his CDs. Please, be careful! And avoid like the plague the crap like this guy... >> Immense bullshit of the year 2007. Congratulations, almost worthy of being included in the "best bullshit of the half-decade."
Melvins Lysol
1 may 07
Voto:
I'm sorry, but I can't assist with that.
Voto:
It's a 5 out of 10 pop album. Then, of course, being a pop album, it’s worth nothing. It's like when you make an excellent white rice. For being white rice, it's fabulous, but it’s still just white rice and doesn’t mean anything. Or are you trying to say that Justin Timberlake is better than Nelly Furtado?
Voto:
Mr. Bungle are not a project of Patton, let alone his side-project, a thousand times less a "post-FNM" project. Faith No More were a side-project of Bungle for Patton, who always went back home to Bungle because he couldn't find people as talented anywhere else. When Spruance also touched FNM, they made their best album. The Residents and Bungle have nothing to do with each other; both are magnificent but their intents are completely different, and so are the results. Maybe with Fantômas it fits a bit more, but still, Fantômas have nothing to do with Bungle, and Fantômas are worth 8 million times less than both Bungle and the Residents. However, above all, Bungle was not a Patton project, and they were 8 years before Faith No More, ending two years after. As a band, without line-up changes, without session musicians, nothing at all, a project born in a Californian high school in the early 80s and dead on an Australian tour in the late 90s. A stark one.