puntiniCAZpuntini

<<< As for the more or less fierce criticism, I believe the reviews of Asia have shaken up everything and everyone, especially considering what Mr. Adriano Bernard wrote in his comment (it was the last one): "And anyway these reviews have forever marked Debaser: the Asia are now feared here as the devil fears holy water! :-)" Perhaps Festwca was not fierce, "but the times were fierce": and anyway, it's easy to hit someone who exposes themselves by presenting Asia to the highly intellectual DeBaserian crowd for six consecutive times, then! And I can't forget this: almost everyone practically attacked me back then. >>> A human case right away! I suggest we place him immediately in the top third of the ranking; it’s clear he has talent and, if properly encouraged, can become a champion. He needs to be nurtured.

<<< I said they moved to England after achieving success with "Highway To Hell," >>> No, don’t talk nonsense. You wrote << 1977. The explosion of punk and the very early beginnings of British heavy metal. England, in the mid-seventies, was characterized by bands like AC/DC >> In 1977 it was well before the recording of Highway To Hell. Apparently, we can all read, except you. <<< Listen to Riot and maybe you'll become a bit smarter. >>> I believe I’ve known this album for at least 15 years. Yet intelligence, who knows, I don’t know.

There's also the Flyentology video, and it's nice too. When it comes to good Rap videos, if there are 20, that's saying a lot. P. is always the first.

I wanted to say hello to my friend Pietro Casula, who ever since he got married no longer goes out with us.

hilarious... Remake. I wanted to write.

I will review that great film "The Devil in Miss Jones," directed by Gerard Damiano in 1973, a reimagining of the Faust myth from a female perspective, featuring a fantastic performance by Georgina Spelvin. I highly recommend the hilarious - I emphasize hilarious - one made by Jenna Jameson & Co. It's something I can't even tell you about.

Everything is very beautiful.

<<< AC/DC are Australian, but of course they have always been in England and America. >>> What kind of nonsense is that? It's just the complete opposite. Both the Youngs and Scott were natives of the UK who emigrated to Australia. And all the significant AC/DC albums, except for Highway to Hell, were conceived, produced, and recorded at Albert Studios in Sydney. They were so proud of their emigration that in the versions released there, they always added something extra. And maybe it’s precisely recording Highway to Hell in London that brought them bad luck, putting an end to one of the greatest hard rock bands ever. Show off with Riot, an underground semi-rare album, and then spout this crap about what everyone knows? Bah, the burned-out youth.

...mavafàngulo.

<< Caz, by the same components I mean the thinking minds, >> Yeah, exactly. As I wrote above, Oliveri in Kyuss never thought about anything, and Homme has always only thought about the guitar. Björk thought for almost everyone in the first masterpiece, and in the second everyone thought for themselves but all for one, one for all. I repeat, there’s a lot of Bread & Salami Homme has to munch on to be considered the sole thinking head or composer of Kyuss. And the idiot, come on, the idiot is just an idiot like many others, let alone the thinking head of Kyuss. You can give this album even a 0.5 for me; it’s a Rock N Roll album, so in 2003 it can be liked a lot, a little, or even hated. What “interested” me was clarifying the point that they are not the same components, nor are they the same thinkers. There is exclusively their guitarist, plus an idiot picked up off the street that they kicked in the ass, the Kyuss. Then it's fair to talk about Homme, comparing what he did in Kyuss to what he does in his solo project (because he can call even 200 people, but QOTSA is his solo project), but it’s wrong to talk about Kyuss, because 75% of them are missing, both as components and composers. I, of course, throw out all the QOTSA albums for half a single by Kyuss; it’s obvious they are billions of times superior. Kyuss had a style and coined a genre, while QOTSA just make rock n roll. Nice, but just rock n roll.