puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8161 days

  • Contact
  • Here since 21 october 2003
Voto:
I don’t know, something is missing. Maybe I just need to feel it at the right moment, I will vote later (if I remember).
Voto:
Beautiful, among my favorites. Too bad the photographer doesn't die too; it would have been nice if he got hit by a car by mistake while picking up his pay for the successful photos. Or maybe a lucky stray bullet.
Voto:
Alright, I'll dig them up. But I have the tapes, I'll need to download them.
Voto:
Nick, my "bè," means "very." Ask Hal.
Voto:
Your grandmother condemns this record, it sounds good. I don't know Italian, I have a middle school education, I go by rhymes. I thought it was enough and not too wrong. Watch out for "relaxing," it’s relaxing for Doom, and especially for being a product of Jus Oborn, known as CiccioBomba Demoniaco. The recording, no, that’s a “very good” in absolute terms /// Biro Biro, come on, the homonymous one is clearly Saint Vitus, while We Live are the Electric Wizard taking on the classic, there’s a difference.
Voto:
Ah, I've already read comments from many people, vintage Doom listeners, who consider this the best album by Wizard. And We Live also has its big fans, especially among the veterans of the 80s doom scene.
Voto:
The more albums they release, the more I realize that there is no "best" Wizard album. They manage every time to create a record oriented towards a different style, while always remaining within Doom. Aside from the self-titled one, which is a bit too derivative, every fan of the genre has their favorite (and it seems to be the case here as well). He is a talented artist and never repeats himself. The one I like the least is actually Chosen Few, because it's the most "predictable," the only one where you can say "you can tell it's the Wizards." I love the title track, Torquemada, Satanic Rites Of Dragula. They ooze '60s/'70s vibes from every note, and they really seem perfect for an old Mario Bava film. It's the most "relaxing" (or less stressful) album from the Wizards, and they had never made a relaxing album before. A little side note: this album is recorded masterfully entirely in analog; I tested it at superhuman volumes, and it didn’t distort a single sound, best to try until your ears bleed.
Voto:
On It Takes & Fear Of I can go along (Fear much less), they are prehistoric albums that are forgiven a lot. But Apocalypse, it has never said anything to me. Even though they are only a year apart, that year is crucial. Not many were making noise-based music, okay, but not many were making rap either. It's like coming in third in a race with only three competitors; you can be third, but you can also be last. The Beastie Boys gave the PE too, too, too much distance. And the BB albums have aged beautifully, while when I listen to Welcome To The Terrordome again, I can't help but laugh when I think about how I used to listen to that stuff. Maybe it's because I was too young in the '80s, and maybe because when I started listening to this stuff, ten fabulous albums were being released every month... but the PE, no way.
Voto:
And especially to have the choreography, it's Gay.
Voto:
Jeru Tha Damajah, the Boogie Down Prod and first Krs One after and someone else. Sure, you can count the smart rappers on one hand, but I certainly wouldn’t include Chuck D on that hand. He always seemed to me to be dull, braggart, racist, and a tall tale teller. And above all, a smart person wouldn’t be going around with dancers. My God, the choreography. Raffaella Carrà carries the choreography, not a group that calls itself Nemico Pubblico. "Hi, I’m the public enemy... and these are my six dancers who keep the beat: the bomb squad!" To me, it’s hilarious.