puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7897 days

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  • Here since 21 october 2003
Voto:
On It Takes & Fear Of I can go along (Fear much less), they are prehistoric albums that are forgiven a lot. But Apocalypse, it has never said anything to me. Even though they are only a year apart, that year is crucial. Not many were making noise-based music, okay, but not many were making rap either. It's like coming in third in a race with only three competitors; you can be third, but you can also be last. The Beastie Boys gave the PE too, too, too much distance. And the BB albums have aged beautifully, while when I listen to Welcome To The Terrordome again, I can't help but laugh when I think about how I used to listen to that stuff. Maybe it's because I was too young in the '80s, and maybe because when I started listening to this stuff, ten fabulous albums were being released every month... but the PE, no way.
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And especially to have the choreography, it's Gay.
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Jeru Tha Damajah, the Boogie Down Prod and first Krs One after and someone else. Sure, you can count the smart rappers on one hand, but I certainly wouldn’t include Chuck D on that hand. He always seemed to me to be dull, braggart, racist, and a tall tale teller. And above all, a smart person wouldn’t be going around with dancers. My God, the choreography. Raffaella Carrà carries the choreography, not a group that calls itself Nemico Pubblico. "Hi, I’m the public enemy... and these are my six dancers who keep the beat: the bomb squad!" To me, it’s hilarious.
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Muse Sick-N-Hour Mess Age was a terribly outdated album, classic and clichéd as if it were from the 80s, in a year when a hundred thousand masterpieces were released. I've never liked the PE; as for the albums from the 80s, I wouldn't know what to say since I listened to them late, but from Apocalypse Now onward I would hear them as soon as they came out and they've always felt old, banal, predictable, racist, and a bit gay to me.
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Nice, but they still need to drop the moorings properly. I don’t remember who wrote that if the last 4 tracks of Phoenix were an EP, it would be a magnificent work. They always throw in something catchy and a bit poppy that spoils the psych flavor of their music, such a shame.
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<<< Imagine if I reply to him.>>> Look, you answered me here -> <<< Have you ever seen the photos he has on his page? >> See, you did respond to me? Anyway, know that on my page I have Francis, the first true and only confirmed human case of De-Baser. He's a keepsake, a rarity, a gem that everyone envies me for. And yes, he has a more idiotic face than the Fugazi, that's why I included him. And if you don't want to answer me, then don't. It's not like you say you'll do it, and then you respond to me. Anyway, I see you're friends with that global ignoramus Iride, so now I understand why I hated the review. I can sniff you from a distance, clearly.
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Wow, what discreet idiot faces. I had never seen them before (I was better off before). The review disgusts me, even though I don't quite know why. Maybe next time I'll read it all.
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<<< After punk there was freedom of creation-recreation, so the new wave artists got their hands on everything and each built in their own way. The New Wave grew physiologically, a dark and evocative transitional period between something that was and something else still in the making, like a womb during a pregnancy... Then, once the birth was accomplished, it deflated and soon became flat, "normal," disappeared. >>> From this sentence, it can be inferred that before punk, there was no freedom of creation-recreation. I can agree on recreation, given the young age of the poor fools who gave life to the movement, but when it comes to creation... oh my, we are at the Oscars of worldwide nonsense. In short, Jimi Hendrix didn’t have freedom of creation. Poor Frank Zappa did what the major told him to do. Thankfully, Johnny Rotten arrived from the island of the famous. Yes, yes, right in the final rush, you win the Oscar for nonsense 2007.
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Ah, anyway this record is crap.
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I never liked Conan, he was too hybrid. Either you smash like an animal or you make people laugh, he was half and half. The only ones I enjoyed with a comedic background were Daitarn and Daltanious.