puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8013 days

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  • Here since 21 october 2003
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<<< In the underground, there are still real people who believe in it, even if it's been 20 years and more that they've been doing their own thing... >>> Undoubtedly, <<< Sandrino is one of them... >>> For me, no. It's been 12-13 years since he changed a single bit; his records all sound like they were released the same year. The rap with two turntables has bored me to death, and with all the immense room for improvement that exists, it irritates me to hear people stuck in their ways. I'd rather - precisely - listen to Neffa, who left it all behind rather than keep repeating the same things (his words, on Deejay Chiama Italia). I would also prefer if he were inspired (even more than just "inspired") by people from Anticon, Definitive Jux, or Ipecac rather than hearing the same beat, the same song structure, the same thing over and over. The same goes for Kaos, Deda, and the entire old scene. Sure, it's true that today commercial hip hop is worse and there are many more idiots, but there are also many more financial resources to produce rap music, and none of them use them because they have no ideas to put into it. Years ago, it was said, "if only we had the resources, we would make mega productions," now the resources are there, but it's still just bum-cha bum-bum-cha. Bunch of idiots.
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Dj Gruff represents the essence of hip hop in Italy, the point of reference. One who has been able to experiment and still doesn't find peace in his search. >>> ah ah ah aha... the best has always been Neffa. Both because he made the best things (lyrics and beats) and because he walked away just ten minutes before the collapse. Serious people always stand out over the long haul. Gruff now plays in holes in the wall, singing crap, stuffed every thirty minutes with old tracks that he claims to sing reluctantly but is forced to do so since no one cares about the new ones. A defeated one, against someone who sings crap yes, but at least he enjoys it and most importantly, it allows him to live without doing a damn thing from morning till night. The serious person will always be noticed, over the long haul.
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On Friday night, he wanted to hit one of my friends because he told him that from "lo scarso" onward, he was making "cazzoni" records. Humanly, he is one of the biggest imbeciles I have ever seen in my life, a truly poor moron worthy of a mental hospital, a person who, at almost forty, could only evoke pity. Musically, however, from La Rapadopa to Lo Scarso, nothing but masterpieces. "If you Test me like Fabio, I'll Pippo you more than Franco" --- "Alright then, Erre-à-Ppì." Respect so & so, Orrù, and troncaddira in cù, òòòhù!
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This is the film that - a long time ago - made me realize that Alberto Sordi wasn't worth a damn. Whether he played the traffic cop, the butcher, the soldier, the emigrant, the politician, or the businessman, it was always the same. Always the same mannerisms, always the same accent, always him, always the same damn thing. In ten minutes, two great actors explain, introduce, narrate, and make you understand a character. Beyond the actual value of the film, there are the two - magnificent - actors. The triad: Volontè Gassman Tognazzi. Period. End of discussion. Philippo.
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Whoever does not mock in company, may their twig wither.
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Ok, I'm mocking.
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Let’s make fun of him.
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<<< puntinicaz, with a splendid omm'emerda, which is his typical comment that always makes his posts interesting, all motivated and reasoned. >>> I believe instead that the poor souls are those who insist on repeating the same concepts over and over in the same discussions. On this site, I have written over eight thousand four hundred comments, while you have a mere thousand. I expressed my concepts in the first four thousand, when you probably weren't even reading these pages, so allow me to be fed up with repeating the same things about the same genres and groups. We’ll talk again when you've written five thousand comments; let’s see how much you’ll want to discuss Rock Italiano then. Beyond that, it’s perfectly fine that you, reading “only” the last four thousand comments, are fed up with me writing "beautiful" or "shitty." And then you even copied my nickname, so deep down you really admire me a lot.
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<<< a cover (in my opinion not exceptional, but tastes are tastes) >>> Not exceptional? It's a blatant joke, just like this title. If you want to "create culture," then do it. You can't quote culture while producing crap, because then you're the crap.
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No, I've never heard Midryasi live. God willing, I'll see them at this year's Stoned Hand Of Doom, where Witchcraft will also play quietly. Hearing "The Alchemist," "Chyld Of Fire," "Samaritan Burden" live in a nice appreciative setting must be wonderful. // I want to make it clear that I don't remember a single song by Afterhour, not even half a song or a title, and maybe I've never actually heard them. And that's a point of great pride for me.