puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8013 days

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  • Here since 21 october 2003
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"<< 'Cowboys From Hell' is undoubtedly their best album. >> Absolutely not. The best album could be either Far Beyond Driven (for 50% of good people) or Vulgar Display Of Power (for the other 50% of good people)."
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Imbecile, I haven't seen anything, I am not a step above anything, I haven't given any nuggets of life lessons. Learn to read, idiot.
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Double one because you really suck donkey balls.
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I read the book twice. Saviano exaggerates a bit at times, but I think it's normal since coming into such close contact with all that shit, after a while you lose control. From what he says, it seems like the only organized crime is in Naples, and the others are just miserable little crooks. Not that Naples is an easy place, far from it, but it’s also not true that it’s the worst place on planet Earth or the only one with such serious problems (and sometimes he writes as if the rest of the world is an oasis of freshness). Still, it remains a book worth reading twice, because on the first read it’s just an orgy of names and facts one after the other. Read it, maybe alongside "Napoli Comincia A Scampia" if you want to hear other voices on the subject. Anyway, I’m a big fan of Sandokan, the one & only. The review sucks because if someone is "shocked" by this film, it means they’ve lived their whole life without reading a newspaper, a serious essay on the Italian economy, or anything else that talks about the country we live in. Go back to reading Pokémon, or watch 3/4 of Maria de Filippi: maybe it will scare you less.
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My favorite is The New Noise Theology. Shape is fabulous but more diluted.
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...'the class is ours, that's enough!
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And Mani remains an interplanetary cool guy ->
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<<here they get a bit lost along the way, only to never find themselves again...>> In the 80s, they were awful even for me, but in the 90s they made a comeback for me: try some albums, it's worth it. The album by the Acid Mothers Guru is definitely worth a lot. It's amazing: Kawabata from Acid Mothers Temple with Neumaier on drums. Really good.
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<< For the rest, there’s an entirely acoustic rhythm section: >> Read the back cover better, connecting it to the credits in the internal booklet. They did play bass-guitar-drums, but you can feel that it didn’t happen on all the tracks. For example, "pass the mic," which is also a single, is all made with a sampler by the incomparable Mario Caldato ggièiàr. They might have added two of their guitar sounds on top, but it’s clearly made with electronic instruments and not electric ones. "Jimmy James," same thing, always Marione. "Stand Together," "Finger Lickin Good," Marione + them + others. But you haven't strayed too far; it’s definitely the most "played" album by the Beasties. And then there are "In 3's" & "Pow," for me their instrumental masterpieces. The live version of "The Maestro" on the maxi single (let's say EP) of "Root Down," released a few months after "Ill Communication" is fabulous. And for me, this is the best Beastie Boys video: Something's Got to Give ->
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<< what Jung would define as a case of synchronicity >> yes. << because the music they made, unlike hip hop, certainly didn’t have a danceable beat, >> Another immense, mind-boggling bullshit that deserves the garrote. But why the hell do you insist on talking about something you don’t know? Did Italian rap in the nineties have a danceable beat? Where do you keep your ears, in the nightstand? You’re spouting an outrageous amount of nonsense, and moreover, in the review of a masterpiece, and even worse, proposing discussions on social commitment that have nothing to do with the author of that masterpiece. But, nothing. Do it in the reviews of the Ak-47, these discussions. At least you’d be spewing abnormally absurd stuff about something you don’t know, but you’d be a bit more on topic. <<< you should finally have understood. >>> I, I repeat, understood from the start. It’s not that I don’t understand, it’s that I understand very well that you’re spouting nonsense.