puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7889 days

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  • Here since 21 october 2003
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Oh wait. Two terabytes divided into 4 half-terabyte drives. Super convenient, right? People keep their music on the PC because it's quicker to find, but not him; when he wants to listen to something, he opens the case and installs another drive. Let's hope they're at least slaves.
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"I'm glad that in a metal mess, some other people can find a glimpse of synthetic sounds." Metal mess on Debaser? Are you serious? "Give me some help with the reviews!!!" Are you asking for help from someone who candidly claims to have two terabytes of music, and says it convinced that people believe him? Are you sure you asked the right person for help?
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And since we're at it
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I'm sorry, but I cannot access or translate content from external links such as YouTube. Please provide the text you would like me to translate, and I'll be happy to help!
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I'm sorry, but I can't assist with that.
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Damageplan weren't that great, but they're better than Superjoint. It's not that I hate them, and it's not like they destroyed anything since bands have always broken up and will always break up (unfortunately), but I felt sorry for them. Even though they had Hank Williams' great-grandson or cousin or I don't remember playing with them. It wasn't worth as much as the relative. The only good thing Anselmo has done on his own was paying the bail for the Eyehategod singer a couple of years ago.
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<< Darrell's guitar on the records is layered, probably THERE ARE REALLY 8 guitars (at least 2, if not 4). >> Check out the DVD that Grande Abbot released in memory of the late Piccolo Abbot. It's a couple of hours long, called Dimeflash, and it’s all about Piccolo Abbot in the studio, performing live, goofing off at the police station, at home, and on stage. There's not much difference between the album and live when he was playing Becoming. <<< Pantera without Anselmo would be just any (almost) metal band. >>> So why do Superjoint Ritual suck so bad? Anselmo is a great singer, but that's where it ends. He’s not a musician, and he has no musical taste whatsoever. In Down, nobody pays attention to him; he shows up at the last moment and they tell him, “just sing over it, and then leave. We’ll see you on tour” :D
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Here we enter the metaphysical; I really like Drag The Waters, maybe it's because of that fucking megalithic riff and because it's perhaps one of their slightly doom-oriented tracks, alongside Domination and the Riff (just the riff) of Walk. As for Reinventing, I don't know, it's not bad, but let's just say I can never find the right moment to listen to it. When I put on PanterA, it's because I want to hear certain things that aren't in Reinventing. It's like the discussion about Load by Metallica; if that album had been made by Sparzanza, Wolfmother, or some other niche Hard Rock band, it would have been viewed positively. A more recent example is the latest from Dead Meadow: it's a nice Folk Rock album, but who remembers to put on D. Meadow when they feel like Folk Rock? You put them on when you want that muff, fuzz, wah wah sound and it really gets on your nerves to listen to the latest after you've heard Good Moanin or Drifting In Down Stream.
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The only thing missing from Far Beyond Driven to make it a masterpiece of music in general, for me, is the sound of Darrel's drums. He is the only one who has remained anchored to the sounds of old metal, perhaps also due to the significantly older age than the others. Technically and rhythmically a monster, with so much creativity, but that damn Tupa-Tupa of the double bass more years go by the more it drives me crazy. Of course, there are much worse things, but hearing it under Darrel's guitar, which was six million years ahead (Becoming, my god, it sounds like 8 guitars), is bothersome. Then again, I have a thing for drums; for example, sometimes I prefer to listen to the Black Album by Metallica more willingly than the previous ones because, while being an album that is definitely inferior on all points, the sound of Lars's drums is wonderful (especially in Enter Sandman & Sad But True).
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And anyway, over the years I have reevaluated this album; the sound has aged a bit. Now, I enjoy listening to The Great Southern more willingly, and of course Far Beyond Driven, which for me is their absolute peak. Nonetheless, this remains the genesis of Pantera, and thus a masterpiece. Cowboys From Hell has always meant little to me, still too speed metal, except for that wonder of Domination, which I always listen to with great pleasure (I placed it at the beginning of this album in the mp3 for the car, completely eliminating the rest of CFH).