puntiniCAZpuntini

<< I still haven't processed the last one well >> The last one is the bass solo meatloaf, which, if you haven’t seen it live, gives you huge balls :D Just A Souvenir disappointed me a bit too, certainly better than what he was offering up to 2004, but Ultravisitor and especially Hello Everything are clearly superior; I think he has run out of cartridges for certain things. If he were to reconsider some aspects from the early days, with his current taste, he would produce excellent stuff. Even the very early beginnings, like the album under the name Alroy Road Tracks, he could do something like that a thousand times better now. << For me, Tommasino owes a lot to the master >> Many owe a lot to the master (certainly Tommaso more than others, even in monetary terms), but I can't bring myself to like things that aren't in my wheelhouse, despite the fact that the person (and the character) deserve 10 out of 10. I'm one of those who bought Drukqs, listened to it, said "wow, what a crazy Riccardo," and put it away forever. I remember some nice pieces, but they're too interspersed with exasperating personal rants, and if they are a product of the title, I never put on Aphex Twin, so I can't reach where he wants to take me, so it’s better to leave it where it is. I would buy it again if I went back to 2000 (or was it 2001?), because someone who, at thirty, has a record label that’s ten years old and has churned out a hundred things while inventing a genre all his own deserves to have the birthday album purchased. If we're talking about I Care Because and the album by Riccardo D, then there are indeed quite a few listens there. However, certain things like Polygon Window or AFX just aren't for me, while still emphasizing infinitely that we’re talking about the Master.

I've always preferred his protégé Tommaso, also because many points touched upon by the Maestro are ones I don’t think I will ever feel. In a moment when the ambient would fit well (for example, since we’re talking about that here), I usually prefer to put on a jazz duet or similar things. However, when both propose rhythms (even if "rhythm" is a bit of an overstatement for them), Tommaso pulls away from a distance. And by quite a lot.

But can you stop talking to yourself? Here, a lot of us can tell two nicknames belong to the same person; we've been trained thanks to Punisher.

But how long do the "novelties" last? Just out of curiosity, since this is more than a year ago all rhyming with "à."

"Taking Tavor to Make Music to Takes Tavor Too."

The older you get, the worse you become; you're never satisfied :) . I can already picture you at 90, teasing your grandson about the musical glories of the last century. Meanwhile, I’m becoming more and more easygoing; at this rate, I’ll end up listening to the records that play on the radio. Albertino, here I come.

<< I have other things to do too. >>> ah ah ah aha hahahaha ah ah ahah ahaha... you must have written 280 reviews with at least 5 accredited fake ones, talking to yourself among fakes and fakes, sending millions of emails to the staff first to threaten lawsuits because I found out your name, then because they were bothering you about your nonsense where you decapitated Laura Pausini, and then about the bans... and thank goodness you have other things to do! You really are a pathetic loser. << A "sharp" person does NOT tell someone to fuck off from day one >> I’m sharp enough to have figured out I was dealing with an idiot after reading one review, with three I had confirmation, and that was enough for the rest of my life. I don’t need to read you again; I’ve already tested that you’re an idiot. But thank goodness you have other things to do.

The Sula Bassana are basically the solo project of a guy >> Minchia Fest, but as "a guy," he is Dave Schmidt, the Kaiser :). The Liquid Visions, the Zone Six, the Weltraumstaunen, the Psychedelic Monsterjam, and obviously the Sula Bassana are all his, as is Nasoni Records (http://www.nasoni-records.com/catalog.html). He is the guru of the entire German scene from the nineties onwards. And coincidentally, yesterday I said a giant bullshit; it's not elektrohash that reprints the old stuff but his own Nasoni (he also has the reissue of Los Sounds by CH). Here’s a vademecum on his works up to 2002 (it's very old as a biography) link rotto

They play in Milan very often (for being German), almost always at Cox 18. You won’t have to wait long to see them.

<< Is there any nice record, you know? >> The Munchen Session by Natas, definitely way better than all their albums except the Toba Trance (and it also has the overall box set of the two Toba Trance). Then I think there are reissues of old stuff but right now I’m a bit tired and can’t remember, tomorrow for sure it will come to me.