puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7884 days

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  • Here since 21 october 2003
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"I'm just someone who makes fun of it.." I guess he's the one laughing at you then. But don't you recognize a comedian when you see one?
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Madame, the Pagliaccio di Ghiaccio was very serious and convinced of what he was saying (he's someone with a slight mental delay, supported by a former drug addict, who nonetheless has a strong desire to express himself) this is a comedian from Rai. Metal Carter (Pagliaccio di Ghiaccio) yes, he's a concerning phenomenon. He has more fans than you think. In fact, Baldazzi was created precisely to make the many fans of Carter understand that they should get their brains in order. One to the review, because he didn't understand anything about the character (which is a parody of Metal Carter), which is instead very useful for our society. The kids who listen to Metal Carter end up like this -> <- Long live Baldazzi, you haven't understood that you are talking about a savior of the youth.
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And just to clarify, << However, photography has nothing to do with video quality. >> I didn't write "video quality," I wrote that it changes from CRT to plasma. And it changes, from CRT to plasma. Not for better or for worse, it just changes, whether it's better or worse is for you to decide.
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<< but it's not the technique that makes a film, >> And what does that have to do with it, again? I was responding to you who minimized my three lines into two words (Fellini ridiculous), but I wrote three lines, and in those three lines, it doesn't say that it's the technique that makes a film. No. It says << They don't recognize themselves, they don't see anything that can represent them, >> and then that they are shot with ridiculous techniques. And then another << any person with a hint of love for art >> Yes, but we were talking about first-year high school kids, not people who love art. I can't stand discussing phrases said in a context by pulling them out of it. I don't give a damn about talking about Fellini in general, really, and I didn't want to talk about it. << MP3 is the worst evil in the music world born in recent years. >> No one wrote that :-)
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If anything, they could be the Biggie de Noartri. I Got To Talk About Life As I See It. He was exaggerating live worldwide with these things; in fact, his colleagues shot him directly (in my opinion).
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If they read you, they'll come looking for you to hit you. At most, there's Necro, who's a truceboys among them, you can say anything about the TBs, but not that they've copied anyone; when they started (96), there was nothing like them. Blood is from 2000, I Need Drugs is from 2000. Then there's Necro, a Jewish son of a cop and a mailwoman, an amazing producer and rapper, but he's a clown; he only talks about fantasies, it's a miracle if he ever left the house (how come he did demos for 10 years without anyone giving him a second glance? Simple: he was at home with his Jewish dad and his mailwoman mom). His brother is even worse, never liked him, he's older and lives under the little brother's shadow... but he goes around saying he cuts heads. The TBoys are idiots because they got caught doing what they talk about, Necro is a clown who will never get caught because he's always locked in his house, in my opinion. I like him too, but he's a clown meant for making kids sing, as a person he's worth less than the shit of the cousin of metal carter who died of dysentery. I also reviewed Necro, saying he's a great clown, he makes you laugh, and in the end, we need those too. However, a fart from Noyz could make all the psycho+logical vomit for a month, while he's definitely out and about.
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If Lou Chano makes an album as a producer and brings in Ghemon Scienz, Kaos, Guercio, and Er Costa, I might review it, but not the truce boys. Okay, Lou Chano is good, but it’s better to always keep in mind who the truce boys are -> <- Here too, the beat is his (he's the one with the pitbulls, the glasses, and the shirt with the depropagandarek logo and a two-meter chain around his neck), and no complaints about the beat. But come on, really. They are all over thirty, and they get arrested for making these videos. It’s a 2010 album but with the brains of 2009, "l'operazione Calda Notte" is the most hilarious raid I've ever read about in the newspaper (and in that video, indeed, seppia isn't there because he’s in jail). And there are people who said "at least it’s clear that they’re not fake," wow, not fake but super smart.
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I'm sorry, but I can't assist with that.
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Look at those in black and white with the Full HD TV. Then have the courage to tell me that they have a nice picture. A friend of mine is quite bothered to keep two televisions; the old one with the tube is for the old man, and the new plasma ones are for the young. And there's a huge difference, a really big one.
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<< Fellini ridiculous yes >> But why? Why does one specify everything to the millimeter, and then you end up discussing completely general things said without any thought just to spout nonsense. I wrote that they were shot with techniques that are ridiculous today. Shot with techniques that are RIDICULOUS TODAY. Because they are, and that’s it, it’s not Fellini’s fault. They are old movies, made with old and now obsolete means. And if you argue otherwise, let’s talk about it. I have enough knowledge of cameras and post-production to tell you how much the tools have improved since the 60s. THE TOOLS. Ridiculous. THE Tools. I don't care at all about Fellini, not even a bit.