puntiniCAZpuntini

DeRank : 14,44 • DeAge™ : 8023 days

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  • Here since 21 october 2003
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In fact, I forgot about Black Thought from the Roots in the big names list. If I’m going to listen to Rap, I listen to the rapper; I used to prefer the more "musical" ones too, but for years now I’ve preferred listening to musical music and rapped rap (for the Roots, for example, I listen to the album when it comes out, just to hear BT, then that's it). I favor DefJux with serious Rap and annoying beats; it’s music but not melody. However, you can’t start with Likwit, which is terrible, and end up liking jazzy rap; Madlib and the Lootpack were Likwit, and there are only jazz musicians who are more jazzy than Madlib. They even recorded an album with Blue Note ... Likwit was the bomb, and even Xzibit, despite Pimp My Ride, knows how to rhyme.
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But when you listen to Rap, do you understand all the rhymes, well, without having to read the lyrics? RZA turns everything into A, whether it's Ed In Or or Er for him it's A. I don't remember in which song Money became Manna to rhyme with Gunna. Method Man, when he doesn't know how to close a verse, says "call me" and invents his five-hundredth nickname. Of course, even that one is distorted. The Def Squad does practically perfect Rap, and Redman is an outlier comparable only to KRS, Buckshot, Tash (likwit), Mr. Lif, Guru, and the B.I.G. of Gimme The Loot, Kickin The Door (the rest not). When I was a kid, I liked Wu more, then I started to understand what they were saying and especially how they said it. They’re good, sure, but the Def is another planet.
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I look at all those fuckin people.
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Alright, I'm trying this Rhymesayers. << And like every respectable crew, there are 2/3 good ones and a lot of questionable value. >> Come on, there’s Boot Camp, Def Squad, Gangstarr Militia, Diggin In The Crates, Infamous Mobb, and even Wu doesn’t care, U-God has a construction worker style, he drops nice rhymes, and there’s plenty of people if you count the Killarmy and the Sonz Of Man. I think Flipmode is crap, but they’re good. On the other side, there was the Likwit Crew, with Alkaholiks and Lootpack, that’s enough and more. Then L.A., taking out the CH, could be wiped out by napalm as far as I’m concerned. Lately, yeah, some kinda shitty crews are popping up, but that usually happens more in Italy/Europe, where we still cling to the nonsense of “crew brother, if you suck you still rap.” In the USA, if you suck, you’re a bradah but you don’t rap, at most you wave your hand in the videos and drive the car. For example, Wu had a guy who made their logos, named Mathematics. That’s all he did, they even took him on tours, and it was said he rapped too. They didn’t even let him record on the Killah Beez album, bradah as much as you want, but if you suck, no mic.
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Geenoo: tell us about... I think you've run out of options. Although you could talk to us about some fluff of the sub-king elected by the great Stephen, at least that way you could switch things up.
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Geeno: tell us about the underbrush fluff elevated to great music just because it's unknown.
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this was the unreleased track from Kid Capri's street album, which might be one of the best-selling "mash-up" albums (they weren't called that yet) along with the various volumes from Funkmaster Flex (who, by the way, would gather six million people to do various freestyles). I haven't heard from neither Mr. Cheecks nor Capri since then, who knows where they ended up. The Lost Boyz had disbanded because - just to change things up - they shot Freaky Tah (he was still a fool anyway).
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Anyway, I didn't know these "Doomtree," I put on three tracks on YouTube and I didn't like them either. The girl, especially, is a donkey, but the chicano is the ugliest to look at :-)
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No Kappa, the ones you linked are still not it; I went to the classics, and after hearing Raekwon not in time and ODB over a not ignorant guitar loop, I dropped everything. These are things that hit hard. << they mash various artists to give it a more electronic tone. >> That’s for live shows, but if you hear something of theirs on the radio (I’ll have about thirty hours, if not more, in mp3), they mash everything, from Rap over funky, Nina Simone over Metal, or all three combined. And they don’t cut and stitch; they just keep it in time. They are the people with the most incredible musical ear I’ve ever heard, in addition to having millions and millions of records. Besides them, in Rap nights, it’s common practice for a good DJ to take a cappella from this guy and an instrumental from that guy, and make them play together to show off how cool you are. Tayone, Double S, and others among the Italians, and various beasts have challenged themselves among Premiere and FunkmasterFlex, even putting them up for official sale with unreleased tracks. Or instrumentals from that guy with freestyles from this guy over them. Even the Sayan Supa from France make albums with a couple of them who remake famous beats in beatbox, and another couple who redo tracks of other rappers with voices identical to the rapper, a mash-up of voice and microphone. In short, this wugazi might be amusing, but when it comes to level, it’s low. Listen to the Sayan Supa. Or Beardyman: the coolest Englishman in the world.
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The film is not about a "gladiator who saves his wife," but it is a film with the vibe of "Gladiator" aka "the cop who arrested Frank Lucas"... who saves his wife. Although, all being high on Oxycontin in ancient Rome + various rescues, it would make for a great movie.