puntiniCAZpuntini

DeRank : 14,42 • DeAge™ : 7940 days

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  • Here since 21 october 2003
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Geenoo during the industrial revolution, while studying how to go "under" because he gets splashed from the side. Ingrandisci questa immagine
Tool 72826
30 aug 11
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"Lateralus on a proper Hi-Fi system sounds amazing!" You need a 5.1 setup with surround sound and a DVD player that supports HDCD; the synths move from one speaker to another, the drums often come at you from behind, and other little tricks like that. With just two speakers, it sounds good, but it's not the same.
Tool 72826
30 aug 11
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"I wouldn't condemn the interludes of 10000 so harshly." I don't condemn them, I skip them :-)
Tool 72826
30 aug 11
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PS have you ever heard Lateralus with 5.1 and a DVD player that supports it? Reflection in particular scores a lot of extra points. 10,000 days wasn't recorded that way because apparently it was money wasted; I read that very few had taken advantage of it. Ten years ago it was something that cost a lot, but now a lot of people have it; a job like that should be redone.
Tool 72826
30 aug 11
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When it comes to "fans," Tool fans are among the worst beings on the planet. I stopped being one after meeting some many years ago.
Tool 72826
30 aug 11
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"Lateralus wasn't that different in this aspect..." No, Lateralus didn't have interludes but introductions to the next piece, aside from "Mantra," which is just a minute long and fits in well. Disposition is an interlude, but it's worth more than the best track on many albums. Then there's the final delirium, but that comes at the end; if you don't like it, just skip it, and it's not in the middle of the action. In deicimila deis, there are twenty extra minutes of stuff, and a piece to glue together is something that doesn't exist; it makes no sense coming from a band that prides itself on meticulous productions. I had glued it together, and it was awful. A guy I know gave me one made with WAV files and a good program, and it's already better, but if you buy a record, you shouldn't have to bother with such nonsense. Spend less on lenses and the artwork of my balls and glue the tracks together yourself.
Tool 72826
30 aug 11
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For those who have never enjoyed sticking the art-attack track of diecimiladeis.
Tool 72826
30 aug 11
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I prefer the latest one to Opiate & Undertow; if Maynard hadn't put all those gay vocalizations in, it would have been a masterpiece. But it's still better than a lot of stuff made before. More than anything, the latest is a drag because it’s incredibly diluted; they had 50 minutes of music but added really long interludes, including that all bass and congas one that really gets on your nerves, and as if that wasn’t enough, they split one piece into three, so you have to have fun piecing it together (losing quality in the process, among other things), and with that trick, they added another eleven minutes. If they had made a 50-minute LP, a lot fewer people would have complained. With a 30' EP featuring just Jambi/lost-keys + Rosetta Stoned/the-pieced-together track, we would have cried miracle. It's just that Maynard had to talk about his mom, you know.
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They're practically dead, after five or six years they just released an EP of covers, which makes no sense. The most interesting incarnation of the pissy-pissy Danish crew is Dragontears (https://www.debaser.it/main/Video.aspx?y=DumayBNsX0I), who nonetheless have a lou-fai sound that is incredibly annoying, all thanks to Lorenzo (the guy who's been in every Danish band since the Mesozoic to the present) who continues to make one more useless Garage album after another with Baby Woodrose, evidently venting his frustrations this way. He always makes incredibly beautiful hyper-psychedelic covers that inspire you, then you hear the album and it’s always more of the same Garage nuggets-style, getting more and more lou-fai. << teenage prose of young Caz. >> Unfortunately, as a kid, I already had a computer; I wasn't lucky enough to catch carp outside my house like you and your friend Sampei, aka "the bud."
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S4doll your link opened the doors to a world of laughter for me.