Eneathedevil

DeRank : 18,21
DeAge™ : 7754 days • Here since 18 march 2005
Lloyd Cole Antidepressant
Voto:
I'm deviant!
Lloyd Cole Antidepressant
Voto:
WONDERFUL PAGE. But why didn’t you warn me, damn you. A marvel, a fiery debate, OPEN. Women, how beautiful you are when you argue. I don’t know the record but I’ll vote by instinct.
The Jesus And Mary Chain Darklands
Voto:
Cute, pleasant, intimate. Strange that it wasn't here on De-B yet, and that Automatic is still missing. Well done Vivia for filling the gap! ;) I understood little of Lost in Translation, and appreciated it even less.
NanowaR 5 Questions To NanowaR
Voto:
The review has its standout moments; I'm not very familiar with the album, so 1.
NanowaR 5 Questions To NanowaR
Voto:
I am a Sagittarius, darn it!
Autechre Amber
Autechre Amber
4 jan 07
Voto:
Sè, sè, Ziocrate of my ghettoes. Come on, the difference is abyssal. So much so that I love Incunabula and hate Draft 7.30. I'm not even going to argue anymore, your polemic is sterile. The truth is bare and raw: you like the remix cacophony. And anyway, Tri Repetae still has its moments of charm. I still remember that the repplus gave 3 to Incunabula. 3, you know. And we’re still discussing it. Insensitive.
Autechre Amber
Autechre Amber
3 jan 07
Voto:
Zaione is a good guy, but from time to time he babbles. Yes, yes, continuum. It’s obvious that if we set as our goal a vast field like, for example, proposing an alternative techno, we’re in for a treat, but that would be too simplistic: it would be like talking about an Eno always the same as himself, a Bowie always the same, and so on. Same vocations, okay, in any case: no Galilean renunciation in Autechre, but it’s certainly not a crime to discuss phases, different trends. And it’s undeniable that in Incunabula there is a musical research intent different from that in Draft 7.30: in the first case, the goal is one of minimal melodic glitch, while in the second it’s about a rhythmic exploration. Therefore, yellow card for Ziocrate, philosopher of pagan and deceitful truth.
Squarepusher Hard Normal Daddy
Voto:
UNREACHABLE
Infected Mushroom I'm The Supervisor
Voto:
Cities of the Future, from 6:12 until the end, is a cigar butt in the ribs. Magnificent.
Giacomo Puccini Turandot
Voto:
Hey, fool, I know you're there and listening; you know what I'm saying? You didn't even get it right with the edition. I listened to it again, and just the Callas maybe isn't worth the price of the ticket. With all due respect, indeed, Fernandi is what he is, and in "In questa Reggia" you can hear our limits. Rather, the one whose cover this review bears is magnificent. No Callas, it's true, but a Sutherland who, diction aside, always demonstrates an enviable vocal power in dB. Then there's Caballé as Liù (flawless), and above all the old slug Pavarotti in the role that brought him the most honors. The difference with the dated Fernandi is glaring. And those barely two minutes of "Fermo che fai, t'arresta!"... the two most genius minutes in the history of opera.