Eneathedevil

DeRank : 18,21
DeAge™ : 7754 days • Here since 18 march 2005
Tangerine Dream Logos - Live
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Yes, indeed, the much-maligned '80s period doesn't bother me at all and, to be honest, I would much rather listen to an "Exit" than a "Zeit," without any presumption of making value judgments that would unjustly detract from the fundamental period of the first half of the '70s, during which Schulze and Froese dominated the stage of Kosmische Musik with the masterpieces that everyone now knows. As for the live performances, all things considered, I think I could do without them.
Irist Order of the Mind
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@[algol] is a friend, and I can't refrain from giving a signal of high appreciation, given that this is a site for foul, bastard, nepotistic, friends-of-friends, Mastellian types. However, I want to say that I wouldn't even listen to this stuff under the torture of the "Ludovico Technique" (I'd rather inhale a violent concentration of rotten surströmming and induce myself to faint). André Silva, a great interpreter of the tradition of the red and black tanks since the 2000s, alongside José Mari, Javi Moreno, Luiz Adriano, Robinho, Rivaldo part two.
Luigi Tenco Luigi Tenco
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Review with a breakneck pace, full of cultured references that manage to embellish the figure of Tenco perhaps more than the tormented singer-songwriter from Piedmont deserves. And to think that @[Grasshopper]'s previous writing was certainly not lacking... well done.
Eugenio Montale Ossi di Seppia
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Yes, I agree with Asterix in saying that the review is well-written, but it has a somewhat didactic approach that accumulates sections of correct analysis which, in my opinion, are a bit aseptic. The bag from American Beauty has always terrified me, and although the exegesis of the reference is clear and shareable, I would have thought of something "higher," considering the depth of the Magnificent (the thunderous awakening of creation in the early light of dawn in the closing scene of Murnau's Aurora?), in an attempt to establish a more precious parallel. Nevertheless, it's still beautiful writing.
Marco Parente Testa, Di' Cuore
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Fortunately, there’s Discogs to set the record straight: Marco Parente - Testa, Di' Cuore (2007, CD) | Discogs

However, I've never listened to anything by him. I'll print a quintet and take my leave.
Amedeo Minghi Serenata
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Meat, as it is known, is weak and mine is very weak: I enjoy almost everything by Minghi, from the beginnings to the glorious '90s when he was in the spotlight with absolutely top-level albums like "I ricordi del cuore" and "Due soli in cielo," entirely written by Panella. This is the album that sees the passing of the baton from Chiocchio to the Roman poet and, in my opinion, the work suffers from a lack of cohesion between the songs written by the two lyricists. Of course, in the rivalry between the former Pierrot Lunaire and the hermetic Panella, my preference can only go to the latter, but "1950" and "Cuori di pace," written by the late Gaio, remain excellent albums.
Anyone who disdains Amedeo is not my friend, know this. Repent.
Vinicio Capossela Rebetiko Gymnastas
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I really pass by here gladly, as this time I really like @luludia's review, whose style, for the reasons previously mentioned to @lector, is not really my cup of tea. This writing, on the other hand, is, in my opinion, lofty yet concrete and focused at the same time. Vinicio, whom I have never loved, it's stronger than me.
100 Flowers 100 Years of Pulchritude
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Caspian Oblique Strategies
DRE CLUB
DRE CLUB
21 jan 21
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Volenterosi Leninisti Italiani Partito Comunista Italiano
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Beautiful, however, is the opening with the surreal quip in Frassica style about Grandma Anna, and also the continuation in the first two paragraphs, while from the third onwards everything hastily plunges into the expression of a sullen mutria that perhaps could have said something more. Three little Christian Democrat monkeys.