Eneathedevil

What the hell are you still doing here? Run! :)

I was speaking seriously! :D Nah, come on, I want to hope he doesn't pull a Christina Aguilera on us: seeing him so serious, I’d say at most a Nina Simone, a Gloria Gaynor... eh, come on, they're also missing here on debeiser... joker!

Oh, fortunately, now I feel more at ease. Who could that interpreter be? Cindy Lauper?

Oh, yes, certainly less cosmic than the illustrious predecessors (ahò, did we forget Ash Ra Tempel too? Just to mention "schwingungen"), but still remarkable, especially for that absolutely unique use of strings, a hallmark of the group: Schulze and the others mostly stuck to pure electronics.

The association with the surrealists, in my opinion, should be understood in the sense of projecting the intimate reality of the unconscious into the work in question through musical images that do not connect to rational explanations... as I told you, it is not possible to explain rationally works of this kind, because they are too tied to interpretation; after all, what kind of review could one possibly write about a torrent of more than 40 minutes of more or less indefinite sounds? In my view, one proceeds through immersion in the musical images, images that are difficult to translate through the logic of spoken language, and for this reason, why not, surrealistic.

Ah, do you know him? Well, it's an epic work, anyway it's a "minor" group compared to the mentioned TD and Schulze. But it’s more cosmic music than that of TD, and on par with Schulze’s, even though they were born and developed several decades later in the cultural environment of France. By the way, the latest one, "Bleue Comme Une Orange," is just a year old; it could use a nice review.

"Actually, I'm more interested in the posts of those who give you 5"... massimino, but do you have a problem with me? With me??? I who took care of you like a brother keeping you safe from the harassment of cazzy? I feel confused and unhappy.

Wow, lately De-baser is a triumph of photos with booties! Well done Soc, stimulating review, I'll get it as soon as possible.

A review that is certainly shareable: it's unimaginable to think systematically about works like these, whose strength lies in their ability to allow the listener to envision those Pindaric scenes of which we have some examples in this writing. Dear old queen, you mentioned Irrlicht and Zeit, but I would also like to cite the more mature Timewind by the same Schulze, and a little-known gem even among us electrophiles: "Tycho Brahe" by Lightwave, more cosmic than this you simply can't get.

Plausible explanations, Francis, I just have one note: the connection to Nietzsche and Luther is entirely relevant for your reasoning, but I critique the reasoning itself, the one that suggests there's an abundance of "sense of repression of contemporary man" in Deicide. However, not knowing much about the latter, I'll let you say it, even though this sense of repression has undoubtedly taken on very different forms in Nietzsche, Luther, and Deicide. And this, if nothing else, makes one think. As for the rest, this time I won't support you as I have in previous instances, and I'll close the voting here, because unfortunately, although I believe you, I must remind you of what I told little Cooly regarding his personal review of Deicide: "I can't stand people who blaspheme"; it's not a moralistic observation, but simply rational: I don't understand blasphemy as a form of offense; there are other things to offend with malicious bloody force, so you will understand my certain repulsion towards the idea itself of those who, whether out of pure exhibitionism or, as you say in this case, wishing to represent a condition of discomfort of contemporary man, resort to blasphemy as a form of communication. And even in your penultimate sentence, you suggest, this time of your own accord, a rhetorical question, which, although useful for your argument, poses itself as an unnecessary blasphemy. So this time, fill up less than 5 at the Esso gas station.