Cover of Klaus Schulze Cyborg
Emanuel Fantoni

• Rating:

For fans of klaus schulze,lovers of electronic and ambient music,enthusiasts of experimental and psychedelic sounds,listeners interested in synth pioneers,readers fascinated by music and surreal art intersections
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LA RECENSIONE

Landscapes of tactile sensations, antimatter released from matter: namely the sequencer, on the outskirts of hell walking in the flickering light of petrochemical plants with its hypnotic metronomies, placing weights on the keys so that the eternal may develop, progress, and reach stasis, the volumes and geometries of the world and their immediate translation into psychological terms, an extreme attempt to return to symmetry.

Klaus is totally aware of the universe around him, yet he is still perfectly sealed within himself, mythology of the amniotic return, the extreme spasm of the dextrorotatory helix of DNA, twelve cellists, thirty violinists, four flutists, after all this is an album birthed by a human being, contrasting this is the alien spirit of atonal synths and VCS3s, with their galactic spirals: invisible hierarchies of the quasars, the eroded landscape continues to awaken, these images are the vestiges of a time that remains in memory in the form of secret growth.

The telescopes, the differential coefficient of the pseudo-sphere, the dome of the planetarium, boring and infinite symmetry, valid temporal systems?, Halcyon?, growing entropy, desert life in the climatic station, under a bland equinoctial sky, transcendental geometries, Venus of the dunes of temporal slopes, undisturbing epiphany, the pacified time of the dunes, Apollo capsule and mental collapse.
Thank you Klaus for projecting to us the sense of the works of Dalí and Max Ernst.

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Summary by Bot

Klaus Schulze's Cyborg is a richly textured electronic album that evokes cosmic and psychological themes through its hypnotic sequencers and alien synth sounds. The review highlights the blending of human and alien elements, likening the music to surreal artistic works. Schulze's ability to create a transcendental sonic landscape is praised as both mythological and experimental.

Tracklist

01   Synphära (23:52)

02   Conphära (25:49)

Klaus Schulze


32 Reviews

Other reviews

By Rocky Marciano

 Beams and synthetic waves of dead light, artificial sounds that relentlessly propagate into infinity through immense and desolate spaces.

 One of the highest artistic peaks ever reached by a human being in its monotonous, interminable, immense, infinite repetition...CYBORG...


By Battlegods

 You’re not listening to music, you’re living in a world.

 Schulze produced 'Irrlicht' and 'Cyborg' in the same year, surpassing many illustrious ideas of the Seventies.


By Eliodoro

 Four movements that lay the foundations and manage, from this work onwards, to open up the entire world of criticism towards electronic music.

 It allows us to travel through time and our minds towards new worlds that we all have fantasized about while watching science fiction films or reading Philip K. Dick’s books.