Eneathedevil

DeRank : 18,21
DeAge™ : 7755 days • Here since 18 march 2005
Kyuss Wretch
Kyuss Wretch
14 feb 06
Voto:
Hey buddy, I'm the coolest one here. I'm 19 and I've got a musical culture that's off the charts. I'm a guy who loves metal, even the sound of dog tags, but that said, I don't miss out on some gems like Burzum, Mayhem, and Tre allegri ragazzi morti. All of this because I'm wicked. And I've got the dainese jacket. Fuck the pauar, pauar tu nathing.
Lucio Battisti Emozioni
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Album with which Battisti has not yet fully emancipated himself from the form of the '60s song, but enlightening in some examples (Tempo di morire, Anna, Non è Francesca, Fiori Rosa Fiori di Pesco). How ahead of his time this man was. Incredible.
Lucio Battisti Emozioni
Voto:
"anecdotal gossip hagiography"... fabulous, Ringo! :D
Alessandra Celletti Overground
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Anyway, the little samples seem interesting. You know what to do, nobodino.
Alessandra Celletti Overground
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Oh, finally around here. What can I say, this example of self-review is very nice; I personally find it original and well-written. After all, who better than the author can speak on the interpretations of the album? Rhetorical question. Then, in form, it reminds me of an old vice from my youth when I used to scribble song-poop, play them, and review them, believing that there would be no better review than mine on the matter. It was truly the case. When I write reviews here, my dream is to write and comment on myself, in order to highlight the best aspects of the review: the perfect page of Debaser. :) Delusions of grandeur aside, all opinions are still quite respectable, and it’s not illogical for Stefano and Puniello to have, for example, something to contest... it’s useless for Teatrek to start pontificating as usual; personal opinions on experiments meant to spark debate are more than respectable, eh...! :D
Daft Punk Human After All
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Since it's being discussed again, I'll share my opinion: we've treated this little disc a bit harshly, which isn't fair. You hit the nail on the head, daftroby; its intentions are really good. It's a shame, it could have become the best in the series, but the DP took their time and in the end delivered only a few truly convincing tracks, resulting in an underdeveloped work. In intentions, it is above Homework and Discovery, but in execution, it falls short. Zaione, you mention the singles and a bit of other stuff, but no, no. The title track, for example, in my opinion is the best thing our guys have done, with that unbeatable final climax, and the Kraftwerkian "Prime Time Of Your Life" is no less impressive. They certainly haven't scraped the bottom of the barrel, electrigabbox, in my view: they've simply been lazy in not wanting to properly develop a core of interesting ideas: the humanity of machines, a personal conception of house-rock, for instance. It’s really a shame, I repeat: it could have been the best.
Depeche Mode Songs Of Faith And Devotion
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I stand out even more, let's say a 4+. I must say that personally there isn't a track that grabs me: everything is at a good level, no standout piece. I heard a more heartfelt Gahan; even a massively overplayed hit like "Precious" resonates with me more. A unique and priceless episode, nonetheless, vintage electro-gospel-rock; after "Violator," they still managed to offer something new.
Audioslave Audioslave
Voto:
Who cares, Fantò, I told you that I find your reviews excellent. But allow me to say that, having established that Mario is Vic (this time with proof), it's at least a bit strange that you two almost always arrive in pairs, with the same tastes, the same opinions. Just simple observations, let's say.
Audioslave Audioslave
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Eh, come on, a bit of a potty mouth, I admit it! :D Hello, beautiful.
Audioslave Audioslave
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Me, Burns, exaggerated. Assumptions they are, eh, there’s no proof, we know that. I have never expressed negative judgments about Vic, so even if you were Vic or whatever, I’m not pinning any negative judgment on you. A little flexibility, come on.