open mind

caz you are a superhero but he can't understand...........I tried but he just can't do it poor thing......

it's not hard to explain, emanuel, it’s just that you don’t know how to defend yourself anymore and you fall into obvious nonsense... sometimes learn to lose...

I'm really fed up now... you are the most obtuse person (not jazzistically as you think of Bollani and Jarrett, but really brain-wise) I have ever met, Emanuele… mathematically like your statements… so, goodbye… but I’m sure I’ll see you since with your proverbial musical culture and your glacial demeanor that helps you so much in playing, you will definitely become famous and your records will be in every store (but when???) ola… oh my god, I have to go get a drink, I encountered an alien because you are an alien, right????

I would say that the phrase "if there is emotion, it’s jazz" is quite self-explanatory, right???

A rare occasion, then, to intercept an artist "in real time," at a moment of strong energies in progress and significant projects underway. Upcoming commitments and new musical directions pop up at every corner of the conversation, mingling with the still-fresh impressions of recent experiences: he is a musician of today, indeed of here and now, and who knows where he will be the day after tomorrow. The desire to play, to study and to understand, and to play all music emerges: all kinds of music, because you can learn from every situation" and the first signal he sends is the invitation to clear the field of preconceptions, "jazz is the music of freedom" and certainly does not exhaust itself in the theme-solo-theme in a vague '50s style (perhaps lazily phrased in a classic smoky club). It's a philosophy, an approach, a language where "interplay," the interaction between individual sensibilities, leads to a new interpretation every time of a musical text, whatever it may be. "If there is emotion, it's jazz." And this emanuele said by a jazz pianist unknown to me, and I can find you thousands of quotes where jazz musicians themselves say that the emotional side is devastatingly and fortunately very important! right in the golden world of jazz... come on, let's be honest, it's you Parker and Sinatra...

But go talk to your unfortunately unfortunate students, Emanuele... now I'm going to pour myself a little whisky... or do I need to be sufficiently cultured???? But you should go back to your studies, it’s for the best!!! Always without offense, huh, but I can't believe you actually say those things, are you joking? Did you have a bad day and don’t know who to take it out on? It’s so true, come on, tell me everything...

Emotionality changes with knowledge... I really miss this foundation and thank goodness, Christ, I prefer to know, and I assure you, to give you an example, that my emotionality hasn’t changed much with knowledge... the very word emotionality opens up completely, and I repeat, completely subjective scenarios... the foundations?? What are you saying, stop with the bottle of whisky you have close by, it’s messing with your head...

ok Sinatra, you Parker all popsicles while you play, but you must agree with me that not everyone is like that... Christ, not everyone... come on... how can you deny it???

let's hope that sooner or later you'll understand, and then this thing about getting emotional at different levels depending on how cultured someone is is just another idiocy as far as I'm concerned... if anything, you perceive it in different ways, not at levels!!!!

Listening is an entirely personal experience. It must be lived directly, without filters. This applies whether we are talking about produced music or reproduced music, without distinction. Hence, the ONLY element that connects produced music to reproduced music is EMOTION. That's how I see it, and I swear I can't believe there's someone who thinks like you... Parker said that playing was 5% emotion and 95% control, etc. etc., and did you ask him? How did he quantify that? Please!!!