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DeRank ™: 0,39 • DeAge™ : 7913 days
"A second-rate PGR? Not even an option." "I press play and dive in again."
"A second-rate PGR? Not even an option."
"I press play and dive in again."
After key departures, PGR reinvented their sound in 'D'Anime e D'Animali,' embracing raw punk energy with powerful lyrics and mature vocals by Giovanni Lindo Ferretti. Produced by Peter Walsh at Real World studios, the album blends ritualistic motifs and heartfelt tributes to Fabrizio de André, creating a rich and intense listening experience. The reviewer is captivated by the evocative storytelling and vibrant musical arrangements, recommending repeated listens. Listen to PGR’s energetic comeback with 'D'Anime e D'Animali' and experience a powerful blend of punk passion and poetic depth.
Sainkho explores her full extension, from guttural, harsh Tibetan monk sounds to clear and crystalline soprano high notes. The hidden piece, a true gem, features a magnificent piano performance and bossanova nuances that elevate the sound with sweetness and melancholy.
Sainkho explores her full extension, from guttural, harsh Tibetan monk sounds to clear and crystalline soprano high notes.
The hidden piece, a true gem, features a magnificent piano performance and bossanova nuances that elevate the sound with sweetness and melancholy.
This review highlights Sainkho Namtchylak's masterful vocal techniques and unique style combining throat singing with jazz and world music elements. 'Who Stole the Sky' is praised as her most cohesive and accessible album, marked by expressive vocal range and rich cultural influences. The album blends traditional Siberian singing with modern electro-pop and jazz, featuring collaborations with notable musicians. It stands out as a remarkable work in her discography. Explore Sainkho Namtchylak's mesmerizing blend of throat singing and jazz in 'Who Stole the Sky'—listen now and experience a musical journey like no other!
The atmosphere is magical, majestic, but also melancholic and nostalgic. Nostalgia for something that perhaps one would have liked to possess, or experience, at least once.
The atmosphere is magical, majestic, but also melancholic and nostalgic.
Nostalgia for something that perhaps one would have liked to possess, or experience, at least once.
Elephantism is Ryuichi Sakamoto’s evocative homage to the Maasai and African origins, blending traditional sounds like the sitar with emotional piano melodies. The album doubles as a soundtrack reflecting a journey rich in nostalgia and nature’s majesty, evoking a magical and poignant atmosphere. It captures the spirit of African night and the innocence of childhood rhythms while offering a profound farewell to fleeting beauty. Listen to Elephantism and immerse yourself in Sakamoto’s majestic and emotional African-inspired soundscape.
Blemish is nothing more than a pure exercise of style for an artist who now loves hearing his own voice to the point of losing himself. David Sylvian doesn’t have an overflowing ego; he has an ego that spills over from everywhere and that unfortunately has definitively contaminated even his being an artist.
Blemish is nothing more than a pure exercise of style for an artist who now loves hearing his own voice to the point of losing himself.
David Sylvian doesn’t have an overflowing ego; he has an ego that spills over from everywhere and that unfortunately has definitively contaminated even his being an artist.
This review harshly criticizes David Sylvian's album Blemish as a monotonous and self-indulgent listening experience. The reviewer argues that Sylvian's artistic ego overwhelms the work, resulting in repetitive and unbearable passages. Compared to earlier collaborations and works, this album is seen as a decline. The review also discusses Sylvian's tendency to exclude contributors in favor of self-reference. Discover the controversial depths of David Sylvian's Blemish and decide for yourself the price of artistic freedom.
Robert Smith’s sad and lonely existentialism has probably hit rock bottom in his personal journey through drugs and visions. Pornography is the Cure’s masterpiece album, but for those unfamiliar with them, it’s perhaps better to start from much further back.
Robert Smith’s sad and lonely existentialism has probably hit rock bottom in his personal journey through drugs and visions.
Pornography is the Cure’s masterpiece album, but for those unfamiliar with them, it’s perhaps better to start from much further back.
This review praises The Cure's album Pornography as a dark masterpiece reflecting Robert Smith's deepest existential struggles. The music evokes pain and nightmare atmospheres while soothing listeners with its harmonies. The album is described as intense and raw, culminating in a powerful grand finale. Though challenging for newcomers, it's highly recommended for those seeking profound musical experiences. Dive into The Cure's Pornography and experience raw emotion and dark beauty—listen now and explore their haunting masterpiece.
Nada sang Miccia Prende Fuoco with the blackest and most scratchy voice one could desire. They finally filled the void left in our hearts by the CSI.
Nada sang Miccia Prende Fuoco with the blackest and most scratchy voice one could desire.
They finally filled the void left in our hearts by the CSI.
The review explores Massimo Zamboni’s journey from CCCP and CSI to his solo work, Sorella Sconfitta. It highlights the powerful contributions of vocalists Nada and Lalli, the album's rich, distorted guitars, and how it fills the void left by CSI. Loyal fans appreciate the album's emotional intensity and musical depth, marking it as a worthy successor in Zamboni's legacy. Discover the emotional depth and rich legacy of Massimo Zamboni's Sorella Sconfitta—listen now and experience the evolution!
DeRank™: 3,68
DeRank™: 28,49
DeRank™: 8,47
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DeRank™: 0,42
DeRank™: 7,66
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