The_Bassist

I'm only just reading "shoot oneself in the mouth," ?!, but hasn't anyone understood that it was that bitch of a wife?

Tranqi matte brutal, I’ve already read about Marduk-Verdena.

..yeah, anyway, as I told you, try to commit more, do less but think, you’ll see it will be appreciated, and the losers who give a priori will always be there, see my reviews...

I said it, I said it, look at the comment signed "The Fucking Real Bassist," and then I'm sure I reiterated it, maybe more calmly :), around de-baser. I'm sorry, but I just can't stand them.

I'm sending you the cover of the "censored" version of De-nanos (a big stone skull, the Cannibal Corpse logo, and the album title; it should work), and the tracklist. This CD really deserves it; it's not the usual niche brutal that might appeal to only a limited number of fans.

Well, this is quite nice, the album is stunning, for me it deserves an extra point, as I had sensed a certain, slow flattening with "Gore Obsessed" compared to "Bloodthirst." For me, it was a great breath of life from the Cannibals. It's true that the songs are written by all three songwriters and that there are differences in terms of ideas, but they still come across as stylistically and sonically homogeneous (a great thing). I was caught off guard by the surprising brevity of some tracks, which makes them feel much more violent and destructive. In some ways, they have evolved, while in others they have brought back the good things from the past, such as the riff writing based on bass lines (many tracks are arranged solely or partially by bassist Alexander Webster) which gives an excellent "acrobatic" feel to the songs, moreover with an impressive technical complexity (having seen the DVD), certainly much greater than the previous ones. A great example is the main riff of the second-to-last (or maybe third-to-last?) "Bent Backward And Broken"... good.

you know jigoro you’ve been a pain in the ass being a teacher :)) . anyway, it's true, I often omit accents and apostrophes, I notice it and I really don't care, because I don't feel like moving my hands too much away from the keyboard while I write and look at the screen, it’s a matter of laziness

beautiful, classic closing track very speedy with some drive, like metal militia and damage inc., in the album I prefer blackened and to live is to die

Then, honestly and absolutely without malice, aggression, or any other sentiment that I have no desire for, especially when people start to insult me incessantly, I prefer to respond without offense. It's not due to the music you listen to that they're making fun of, but rather the quality of the reviews. Realize this: if it's true that "they can be liked," here they are actually liked by very few. I personally don't like them at all (honestly, not as an insult). Even though I don't know the genre or the scene well, I listen to and generally appreciate most of the bands you review (thanks to my drummer, who also has a room full of grind CDs). I'm telling you this mainly because you aim to write longer, better-written, different, and original reviews. In this way, it doesn't take much to earn the respect of the de-baserians; just look at The Silent Man, for example.

Ah yes, you really respect people, using "demented" every other statement is perhaps a sign of acceptance in your tribe, so I'll say it once to make it clear: I NEVER SAID WEBSTER IS THE BEST, DAMN!!!! Aside from the fact that after watching the "Making Of" of The Wretched Spawn, he gained points, he is really very good, and as I said, in my opinion, he is one of the best in the metal scene; I say this as a bassist because I've seen how he moves his fingers, not for any other reason. I didn't delve into the talk about Dream because it would have been long, deviating from the main conversation, and of little importance, since it is something absolutely subjective. I have never measured my maturity (the pasta to eat) with age as you are doing, and I find that quite pointless; you must have some complexes, I don't know. What really makes me mad is that you insult in advance, IMPOSING your ideas on other reviews, and then you tell ME that "I always think I'm right" and "I have no respect for others." Personally, I believe I have a lot of respect for others, and honestly, I tell you that in my opinion, you have a long way to go with the "dialogue" and "respect" thing. And to say this, I base it solely and exclusively on your comments (especially on this one and on the Waco Jesus review), definitely not on the music you listen to, which, by the way, I also listen to, albeit to a lesser extent. I assure you that if you hadn't insulted in your critical message and had at least added a "I think," I wouldn't have even brushed past you with a "fuck off," and instead, a constructive conversation could have emerged. Think about it.