Almotasim

DeRank : 19,12 • DeAge™ : 3068 days

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  • Here since 25 february 2017
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I don't know them, but the coordinates you provide already make them likable to me. That thing about slacking that goes hand in hand with melancholy feels a lot like Pavement and slacker aesthetics.
Jethro Tull A
27 mar 17
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This album is pretty mediocre, but I have it and I'm attached to it. The cover is horrible, yet I like it. I agree that the first tracks can be saved, especially Crossfire.
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The review is interesting, very much so. You wrote things I was unaware of about the musicians. I enjoy it when someone talks about the albums they love. Always. I don't love Tull and I only have two of their albums, "Aqualung" and, you'll laugh, "A" from 1980, which I hope some fan reviews soon.
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Available has never really captured me. The first one, you say it's very good, is surprising. However, my first love was The Commercial Album. A brilliant idea.
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What a beautiful page! Even The Sleeping Venus is remarkable, too bad it is in Dresden.
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Formidable writing. A descriptive and engaging review. Luxurious! I moderately appreciated Olfield until Discovery ('84). Then he turned to new age with an increasingly pale creativity. The first Ommadown wasn't too bad, symphonic rock, with a nice rounded bass, and elements of African tribalism and Irish folk. This one, however, I will continue to ignore, considering the intellectual honesty of the very good reviewer. Respect for the tragedy of accompanying one's son to the grave. There is no greater pain.
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Your review is very well written and accurate. Well done!!! I have never been able to like Level, even in their most famous episodes. But I gladly read your beautiful analysis. In 1986, with Lesson in Love, they eliminated the song 21st Century Boy by Sigue Sigue Sputnik, which I literally adored at the time, during a funny video DJ competition on Television, which aimed to decree the summer hit starting from elimination rounds like in the Champions League. They were first in their group of four ahead of the Sputniks.
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Uh, Barrett, the Mad Hatter from Alice! I have no desire to read books about the lives of the artists I admire, as it is their "artistic product" that interests me, which usually takes on a life of its own the more valid it is. For Barrett, I make an exception, just as I would for the incredible shattered existence of Roy Harper, who just happens to be featured on the album Wish You Were Here. The book you presented with great style, kind noble, seems to me to be quite different for the reasons you brilliantly illustrated, starting from the delicate and respectful perspective towards the man who was an interstellar experimenter. Perhaps the first song I loved by Barrett was the sweet lullaby Scarecrow. Barrett was a bit like that character from The Wizard of Oz. And we can only feel close to the art we love and to his fragility, which is one with his art. There is no this without that. Alone in the clouds all blue!
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Your lovely review makes the album, currently off my radar, appealing. The cover is superb. Kraut, Kraut, let it all out, these are the things I can('t) do without.
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Edit to the review: "Typo." See the old version link rotto
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