Almotasim

DeRank : 19,12 • DeAge™ : 3063 days

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  • Here since 25 february 2017
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Come on "Shredder", take down these Pitchshifters! I trust you blindly.
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Epic, Sfascia! Ahahahahahah... At Christmas it costs, sausage, chops, and polenta.
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Bruno, the least polite. He didn’t say hello. I’ll do it for him: hi Lorenzo.
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Well done, Lu! Beautiful page "drop by drop". And Odetta deserved a review!
Fantasy Uno
19 dec 18
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What a great page, (Magnum) Pi-ai! And what a whirlwind of memories! We're the same age if I’m not mistaken with the easy count. This one isn’t on my guilty p. list. In mine, I might include a song that was the closing theme of a variety show sung by Sandra Mondaini and (maybe) Heather Parisi, which said "Se la vita va via senza troppa allegria noi saremo due grandi occhi rosa per te. Quando I sogni che fai non si avverano mai...". Not that I've found it despite the internet.
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Refined review. Congratulations. I know his early works quite well (up to the first collection). Back then, I found him interesting, but not much in the long run. His masterpiece for me is the piece Giudizi Universali. I have always liked that one.
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For me, the masterpiece of the album is "Set the Controls for the Heart of the Sun," the first true track post-Barrett and distinct from the surroundings. The search inherent in the title track, beautiful as it is, finds better fulfillment in "Careful with that Axe, Eugene." Personal opinions, the Floyds were my first great rock love. The terrible and bittersweet irony of "Corporal Clegg," both music and lyrics ("Corporal Clegg has an orange-red-blue medal, he found it at the zoo") has always made me consider this piece essential to the album. I enjoyed the reflections on "Jugband Blues" (then "I don't care if the sun don't shine / I don't care if nothing is mine..." one of the most beautiful rhyming couplets in popular music to this day). I took the CD out of the cabinet and scrolling through the titles, it seems to me that the order of the tracks doesn't match the original MC I bought around 1986. I remembered "Corporal" as the second track after the gloomy psychedelia (which alternates moments of closure and catharsis) "Let There be more Light." Who knows. It fit perfectly in the lineup.
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There's nothing better than rediscovering rural America, sometimes.
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I didn't take a seat: there are no chairs here.
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Fantastic! And you managed to talk little about Bongiovi. I was in middle school when this single came out. I recorded it from the radio, and I had a legendary double tape portable, with the pause/stop method I recorded an entire side of Basf 90... Those were different times.
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