Hank Monk

True masterpiece

I don't know, they've always kind of sucked. They seem a bit like the Coldplay of Milo Xyloto and HFOD but even worse.

I missed it. Beautiful! Kendrik top

Here we are, almost there.
As a suggestion for improvement.

Cover. Don’t put a photo of your hand holding the record, but use the cover directly instead. Don’t you see how everything looks nicer and more organized if you do it this way?

Not certainly shit like they make it. Not even a masterpiece.
The moral of the film is well expressed in the ending of the review (okay, it’s also pretty much shoved in your face), and it’s probably a “brave” j’accuse towards a certain audience that has made the Joker one of the darlings of cinema in the last thirty years. Which, to be fair, is a super cool character, but I personally prefer that Arthur won rather than the Joker.
It could definitely have been done better, but I think part of the failure also comes from the fact that a certain nerd audience literally goes nuts over grotesque crap like Deadpool.
Oh, Gaga is likable; I'm happy to see her in movies.
Entertainment (the song), the backbone of the film, made me make an unhealthy association throughout the movie between the last Judy Garland and Arthur Fleck, and maybe because of this I'm glad with how it ended.

I don't know, until Viva La Vida I think they were doing fine. Then I didn’t understand what happened with that crap called mylo xyloto with the little elephant in the videos and those cheap choruses they kept playing on the radio. Maybe in the later albums there are some decent songs, but from that moment on, everything they played on the radio always seemed irritating to me.

Please, it hurts my brain to see a review of three albums together that talks generically about a band. Don’t do it. You’ll blow up the DB of the DEB!!! One at a time, for heaven’s sake.

And I agree with the Count, everything is very beautiful (the library full of cool albums) but please, enough with the photos or it gets pretty annoying. It was so nice when Deb wasn’t a social network but a place where you could only WRITE about music.

Try again

The stuff with Martin is obviously B-list compared to the real Sabbath, but as a kid, I enjoyed it (especially Headless Cross). It's not true that they didn't follow trends; here they were almost a hair metal band (thankfully almost), but I agree that Martin brought stability and at least on record, he isn't bad at all. I think he lost his voice quickly because I remember having a live performance from that period (on DVD) where he didn't even try for the high notes, and there was a guy who seemed to be singing behind him.

Bela