jack daniel's

When the hell did I say this album is a masterpiece? How amusing, once dismantled, these makeshift pseudocritics start having hallucinations. Bye now, because in the end you turned out to be nothing but your complete emptiness masked with jokes and jests.

but I don't want to prove a damn thing, you see that the one who can't read is you, I'm the one from comment 160, the one for whom "degustibus" applies, wake up Larrok, it's past noon!

"Maybe you'll manage to realize why Akind of magic is not exactly an essential work." For whom? Why? Who decided that? With idle chatter, we get nowhere, just a lot of smoke in the eyes, but where's the meat? People are hungry; throw some meat on the fire every now and then, instead of limiting yourselves to imitating the role of the arrogant critic.

Point no.1: I wasn't referring to you with that phrase, but to comparisons in general that I've seen made here and elsewhere. Point no.2: You gave me a piece-by-piece pseudo-review of A Kind of Magic, okay, but what does that mean? All you've done is describe each piece and say why it’s worth something or not to you, who cares? I want the parameters, the real concrete, objective, and universally recognized ones, where are they? What you've listed are your personal ideas about the tracks on the album, so what? "One Vision is a pop piece masked with a hard rock riff" This is what you think, for me it's a great hard rock piece sprinkled with a bit of keyboards here and there. "Cheesy arrangements," for whom? For you, not for me, I find the early Queen albums much cheesier. "Pain So Close to Pleasure is a stupid little tune," for whom? For you, for me it’s a track that reminds me of Motown with a truly excellent falsetto from Mercury. "Friends Will Be Friends is arranged horribly," for whom? For you, for me it just has a drumbeat that's too basic and synthetic. "Who Wants to Live Forever perhaps sounded better live," not even close, in none of the live versions does Freddie hit the notes like he does in the studio (and here you show you’re talking without knowing anything). "Gimme the Prize is a caricature of the '70s Queen," not even close, Mercury’s voice on that track didn’t exist in the '70s, and Brian's guitar saturation level had never reached those heights, for me the track is much more than piercing; it’s a bomb. In the end, we only agree on Princes of the Universe and Don't Lose Your Head, which is also garbage for me. So, LARROK, round and round, you haven't proven a damn thing, you've explained why you don’t like the album, okay, but it remains a matter of taste. So we’re back to square one. Now, though, I’m fed up; when you come up with the legendary list of objective parameters, give me a shout, okay?

You got it, Lukin, if Italy is going to hell, it’s your fault!!! Give us your address, Lukin, and we'll come give you the coat.

the same as tomgil

I've always been pissed off by Elton John (don't get me wrong, not in that sense).

awesome review, that "let's listen to it together" broke me.

However Delorenzo, congratulations on your bullshit review, you even dragged in the pancabbestia and the BR, I mean all the fucking stereotypical stereotypes of the right-wing extremists towards communists, we just need the phrase "communists eat babies" and you would have hit bingo. But fuck off Delorè, you write crap and think with your ass.

oh dear, if the pope is infallible, I am Mandrake