cappio al pollo

Welcome back!

A pair of aces up my sleeve, I feel they'll appreciate it.

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Hey there! (Comment for a few connoisseurs)

Holy words, people. Greg, maybe it's true that something was missing, but for me it doesn't make a difference. It's not the innovations that make the five. In my humble opinion, they were even a step ahead of the others, not consistently, but they were. In fact, as far as Anyway, Anyhow, Anywhere is concerned - which I adore and wanted to mention in the writing - I don't think it has the "same whistles and sizzles": simply put, Townshend's feedback "interlude" winks at the future, but for the rest, it's only rock 'n' roll, but I like it. How Does It Feel to Feel, on the other hand, is "completely" centered around that noisy riff, but do you hear the guitar during the verses? For me, that wasn’t exactly the norm, and I referred to the first noise stirrings implicitly mentioning The Velvet Underground & Nico, from the same year, rather than the sporadic instances where the right feedback was captured by getting the pickups close to the amplifier. Even the Beatles did it before them, but it wasn't just that. There were other bands who had nothing extra compared to the rest, and they are at least remembered. In short, let’s be clear, for me it’s not essential that a mark is left at all costs, that something extra (and I don't think the contrary is established here); simply, tracks like I'm Leaving and Tom Tom I'm sure the Who would have liked to write. Bender, who the heck are you? Eddie Phillips? Tarpit - may it be praised - the problem is that this wasn't just a garage band, I mean, it wasn’t even that, but somehow they played it, and above all, the LP proof, We Are Paintermen, passed it with flying colors and the remastered and extended version even better. Don’t miss this great opportunity, just try listening to the mentioned "I'm Leaving" and "Tom Tom," then judge for yourself. Donnie, Kosmo, I trust you. You won’t regret it. Salumi

"Son of a bitch" is affectionate. You know, like in those movies where Americans lovingly insult each other all the time. We should do it too; maybe we would avoid taking ourselves too seriously even when it’s not necessary. :) Hello Rev, my friend! Donnie (what a flash that movie was), GIO' CIRATO is an implicit message from the reviewer who wants to share a key thought: don’t write reviews at two in the morning; for this occasion let’s pretend we’re going for GIA CITATO, okay? ;) Kosmo, lovely little mouse! Try the specially selected and linked tracks in the review, and adjust accordingly. Anyway, for me, they are worth experimenting with; they are quite devastating. If I had to choose to study them, try with Taste and this little concert of theirs. Jargon, like "son of a bitch," "rock 'n' roll" here is used in a veeeery broad sense. Anyway, if I’ve got a bit of a read on you, and I think I have, I believe that this stuff isn’t exactly your cup of tea (whatever that means, of course), but I could be wrong! See you and thanks for stopping by to visit me.

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Great book

Ah, I see that I haven't missed anything during this time away from Debbeisa. Hello!

Keep your blue car, you're a bad person.