cappio al pollo

Ah, so you're the one from One Stop Left. I take it all back.

Wow, what a bunch of degenerates and nonsense! I quote Cimmi Carlino while still giving the benefit of the doubt to some potential sample. You did well and sparked curiosity with a few words, even though I personally often mistrust the new faces in this genre (which one?). If it were up to me, the emerging ones would all drown in their amniotic fluids! :D

Shiny, shiny, shiny boots of leather. Whiplash girlchild in the dark. Comes in bells, your servant don't forsake him. Strike, dear mistress, and cure his heart!

Poetic? Hahaha...

At a rough guess, you didn’t notice that I limited myself to not reading any of this trash for little fascists and smelly pseudo-metalheads. Now that I realize from your first comment that you are Sicilian, I understand the reason behind your vulgar aggression. Discovering hot water by saying that new wave is an ill-defined genre doesn’t guarantee me that if I listened to this record, I would find any of it. And anyway, I continue to doubt it, with that cover… I know what Sicilian means; I’m not Sicilian myself. Finally, never try to counter my statements again, or you’ll end up in a bad way. Am I being clear?

At a rough guess, they are Sardinians. However, the cover suggests anything but the idea that, if I listened to this stuff, I would find some new wave, much less folklore.

However, Maryg, I find that "Your Last Chariot" is the synthesis, as well as the clear anticipation of what would be found in this Calcination.

Hello dears. I just wanted to clarify that, although the comparison to the Swans, despite various embellishments/sweetenings, may seem bold, it was only meant to refer to the brutal impact of the minimal-instrumental approach. But oh well, maybe it was already understood.

I dissent from the arguments made in the initial comments. So let's forget all the greats of the past, and let the new generations potentially never know who they were! Let's not talk about heroes like Borsellino and Falcone, as they are far too great for us to discuss and promote. Let's only talk about the mafia, which is disgusting, like us, and it can be disseminated. Let's discuss it without mentioning that there were smart people ready to fight it. Let’s forget about the Divine Comedy, because it was a gamble to talk about it in recent years and a vulgarity to propose it as Benigni did. But why not talk about it badly then, if the writer was negatively affected? Clearly, personal opinions should be taken as such, but this sacred omertà that is claimed seems to me more like a mere steaming tricolor crap. The protection at all costs of "sacred" works I understand only as a way of saying, perhaps jokingly. But when it is not, it becomes discriminatory: like telling the beggar that he is not in a position to voice his opinion on works, say, of the church, those that protect the abuses of priests at the expense of victims; like telling the elderly man who is no longer as clear-minded as the young man who decides to put him in a nursing home solely for his protection; like telling the Black person that he is not in a position to say what is white. You are insipid conservative propagandists of the worst kind of murder. Pseudo-metalheads who conceal the last evidence supporting the idea that Black Sabbath were far-left.

Absolutely!!!