Yosif

Of course, these are slightly different genre proposals, but we remain within the realm of certain "aggressive" electronics.

a clichéd and sycophantic character like few others, banal in its polished and pseudo-aggressive image, as well as musically and artistically very mediocre, a poor imitation of what the French (see catalog and banger & co, have been proposing for years!) If we add that every other weekend this one is a guest at diabolika, p-gold and company, the picture is complete! The review is brilliant as always, but believe me, there’s much better stuff than this puppet; it’s nothing but aggressive EBM, it’s music for “BiMBoLeSi” kids and nothing more! :) If I can give you some advice, you might already know it, try Mr. EBOLA (listen to pissing in action 2 on the player) -> Ebola — Ascolti gratuiti, video, concerti, statistiche e immagini su Last.fm .. another planet..

Ah, I don't know the album so I don't see why I should vote for it, but again, 5 stars for Alexia seems like too high a rating, and gives the impression that it's due to your passion (which is perfectly legitimate, don't get me wrong), rather than the work itself!

@mushroom: The Aura has a terrible repertoire? I can agree if you’re talking about the overly flattering present and the latest works, but okumuki was a breath of fresh air, as well as an excellent album. What can I say about the review of Romeo? The first one was better; this one seems too rushed to me, and if you wanted to go for a track by track, it was necessary to at least describe the tracks better. P.S.: if at first I thought you were a real user, now I suspect you might be "related" to birbabirba, but I could be wrong.

spitting image*

Come on, just one review of Curve in the database? We need to do a doppelganger soon!
As for Garbage, I can only speak out—it's true they owe a lot to Curve (especially the first two works), but to talk multiple times about copying is just not right. It’s likely that Halliday’s voice, almost spat out like Shirley’s, is misleading you.

among the few relevant projects of the insignificant boot. great review and revival, and if you're from Bologna, you should definitely take the trouble to discuss it, as you seem very knowledgeable about it!
ps: the guitarist Ciro is the same one who years later, and currently, will be 50% of the dance project Datura (yes, the ones who did todooooo en todossssssssssssss" :D), and other stuff, from chart-topping pop to electronic, from something rocking to gabbafriendly records, some avoidable productions (Jo Squillo, Cattaneo), but in short, a bit of everything. In his case, I wouldn’t say it's a bad ending, but rather a musical and artistic opening that (pleasing or not pleasing his latest musical direction), is never a bad thing. By the way, I also had the pleasure of collaborating with him on some projects a few years ago, a truly great person.

3 reviews all together? Wow! Yours seems to be the most complete and descriptive, as one would expect for an album highly anticipated by many (not me) like this. Feel free to leave the theatrical and Wikipedia-like lines to the others, to the various BonoVox94s, etc., who will surely arrive soon. A bit more bolding in the central part to break it up wouldn’t hurt, but anyway, it's fine. I doubt I’ll listen to the album; I’ve never liked them.

I dusted it off yesterday after a few years of not hearing it, and it's incredible how every time it has the same charm and alienation, which you've managed to describe well between these lines! It's hard to give less than 5 to such a significant and innovative record like loveless; by the way, they're preparing to return to the scene with two new albums soon! Who knows what they'll come up with.

Well, good review, but I really can't stand them; for me, Tim has a voice that can barely be described as syrupy. In fact, given how you treat it, I would have expected a lower score from you. This album is a 1.5.