Yosif

dear nerazzurri colleagues, here we meet again. fishman, I was at work :D have you heard the latest from Trigoria? that whore Sensi, the club & co are preparing a dossier to send to the football federation where they will list all the wrongs suffered, and the pseudo "favors" to Inter... ahahahah... the newspapers are titling the daily edition with "interopoli"... but can we realize how bitter they are? it hurts them that they lost their only seasonal goal. shit Rometta... but I don't understand what Trento, Bolzano & co have to do with a review of Novena on a Nocturn? maybe it's better to continue with the reviews-forum of Martina though :D -sid- naa, no boredom no, sure it can be liked or not, but it is still a great album that many have received positively, after all there is only Tim behind this first album.. so the plural is wrong.. ;) regards

timeless masterpiece

IMPRESSIVE

IMPRESSIVE

IMPRESSIVE

Great Santon, I would propose him again, Maxwell is always very inconsistent... and he has many shortcomings in defense. Anyway, yesterday (and in Bergamo) we saw, for the first time in years, a Maicon as a non-paying spectator... I hope he recovers quickly because the giant is crucial for the Champions League. Stankovic played well yesterday, even if he was a bit off in front of goal. Lampard would have taken advantage of those chances from outside... :D

hahaha but did you have doubts? did you see how they were celebrating, laughing, etc. after Taddei's goal? then two minutes later Ibra scores and immediately like flies "goal tainted by offside, we want to review Samuel's position, assistant nearby, offside goal, clear offside, Samuel behind the line, Roma deserved it" etc. etc... they are ridiculous, but then again with that Roma fan Cerquetti and the Milanista Collovati it's always a scandal, what were you expecting? bring us back Bagni!

I don't really appreciate the recurring use of the growl, which becomes tiring and monotonous over time; however, the work is commendable. Friedrich had remarkable skills in writing (the heartfelt and poignant lyrics of "nun se vende kakà" are unforgettable), experimenting, and manipulating the rough and brutal sounds that characterized him. A good production does the rest. Zarat is a bit disappointing on drums, but at Lazio, he has managed to reinvent himself as a player with decent results. Indispensable.

A milestone of Italian music, with a compelling listening experience that immediately highlights the incisive and engaged songwriting of this artist who is still too underrated today, certainly one of the greatest experimenters on the planet. The bestial growls blend well with the industrial arrangements and glitch samples that the charismatic androgynous producer expertly places within his musical tapestries, where those vigorous splashes of Bristolian trip hop stand out, combined with the warm, acid French synths, giving us further confirmation (should anyone still harbor any doubts) of the avant-garde skill and unparalleled eclecticism of the great Cristiano. What more can be said about the psychedelic influences and frenzied breakbeats on which the sharp lyrics of the powerful MC find a good ground for expression? An evergreen album, a one-of-a-kind artist, and the foremost representative of world music. UNDISPUTED MASTERPIECE.

Disco, danceable but with immense class, as per tradition, among the revelations of last year, a slightly less favorable review, although some points, like the one about disco, Studio 54, cannot be disagreed with; too bad for that halo of excessive theatricality that surrounds it. An album always at high levels, and the voices, especially Antony's, definitely make the difference. The best ones without a doubt are "You Belong," "Iris," "Athene," "Raise Me Up," and "Blind."