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I don’t know him, but he seems interesting; I will find out more...
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Thank you for the comments. To Carlo, I say that Dente can be 'good' musically, but when it comes to what he says, he is very (often subtly) bad...
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I’ve seen it and I’ve also heard positive opinions around, but to me it seemed like a total mess.
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With Gaber, you can't go wrong even if here the musical theater is not yet fully developed and our interpretation is still not centered. But G. will grow from show to show until the memorable 'Libertà Obbligatoria,' 'Polli di allevamento,' and 'Anni affollati.'
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@Karimbabeta: I don’t believe that Battisti 'copied'; he simply glimpsed, on one hand, the writing potential of Panella and, on the other, a musical structure that, although created with traditional instrumentation, was moving towards that 'sound flow' he was searching for. P.S. congratulations on the review of Pino Daniele, very well written.
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Thank you for the comments, and to El Diablo I say that I have just posted a review of Flavio Giurato...
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What can I say, everything you say is still shareable. With characters like Vasco, you have to know how to break out of the usual patterns and consider the (maximum) weight that the man from Zocca has had and has towards what we can call the Italian youth culture over the last 25(!) years. And I take this opportunity to greet a DeRecensore that I hold in high regard.
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For its time, a really great album. More inspired, for me, than 2020. Listened to a lot in those years and then never again.
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I still remember watching the Sanremo performance on a small television placed in a corner of the disco's ceiling. Tempacci, for me, despite begging in provincial clubs on those Saturday nights without the worries of a driving license suspension, I listened to Guccini and De Andrè. Thank goodness.
Great review; understanding our little story also comes through the analysis of these songs that, in a pre-internet era and so on, would scientifically crash down on us for months and months. And they contributed to dulling our minds.
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I don't know the work, do you say it's a concept? But what is it about?
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