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I highly recommend Coppino's activity on the site. Quite an amusing user.
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I must note with a certain satisfaction that your insane mission continues. I hope to live long enough to see myself mentioned. Very well.
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For this kind of thing, I have an a priori, geriatric, and perhaps snobbish disdain. Old age is not a beautiful thing, but I am sure that this stuff here isn’t either.
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I don't know if I'll continue after listening to these two pieces; they certainly don't inspire me. A great (?) writing is not enough to overcome monotony and immense acoustic boredom. Perhaps it's better if I listen to some of his other works, given the esteem he holds among your esteemed opinions.
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I have NEVER found the slightest element of continuity between Sophia and God Machine. They seem like a completely separate entity, and that's not a good thing. Moreover, aside from the discontinuity, I have always found their compositions rather flat. But maybe it's my fault for unconsciously seeking those connections to the origins that are consistently thwarted. Now, despite the previous efforts not being pleasing to my ears, I will try to listen to this one as well. Because it’s not possible that someone who composed what they did with God Machine can always settle for such anonymous results.
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And so, with this wave of support, I have to listen to him.
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Here it is. I had missed it. I later got to know them through other non-debasic avenues. I only need to listen to this, I've already enjoyed the others. I appreciate the strongly acidic matrix with which they have infused the blues roots.
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The tones of Mr. E that I prefer.
One might almost hope that things continue to go wrong for him.
Poor guy.
Nice album, very melancholic, for sad times like these.
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Let it be clear.
I have nothing against Poetry, one of the highest forms of expression granted to the sensitivities of a few.
It is precisely for this reason that I am irritated by the unwarranted and mediocre attempts to shove it at us.
All rather pathetic.
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Let's say the album is weighed down by slightly "strained" sounds.
Really often, the original taken weeks ago, impossible to listen to all in one go.
Like a glass of reinforced concrete.