panapp

I agree with cptgaio 100%. Thank you.

Please.

@brat12: you're nothing but a fool, you don’t know what you're talking about. 1) It’s called Vogler, not Volger. 2) No one has invented anything since the wheel, but there has been a continuous process of evolution of human knowledge; Vogler, for example, took a lot from Propp, but the fact that he precisely schematized a narrative technique is more than enough to recognize his importance in the field of storytelling. “He didn’t invent anything; he simply noticed that the structures of a bunch of films and stories were identical,” oh, and what about Einstein, who invented? He simply noticed that the laws of space and time, under certain conditions, changed compared to how we commonly interpret them. But think before you speak. 3) I don’t think I compared the screenplay of "Coraline and the Secret Door" to the "Divine Comedy," but rather the importance of analyzing a film to the importance of analyzing a book. 4) 3D is one thing, computer graphics is another. "Coraline and the Secret Door" was filmed in 3D (that is, with two cameras positioned as if they were two eyes instead of with one camera in the middle), but that doesn’t mean there was massive computer graphic intervention. Do you know the difference between 3D and 3DCG??? 5) Regarding Pausini: what the HELL does that have to do with anything? "Nightmare Before Christmas" is a pop culture icon cited in dozens of works, sold on thousands of gadgets, and idolized by millions of people; "Coraline and the Secret Door" doesn’t have that kind of sociocultural impact, but that doesn’t mean it’s a worse movie. Here’s a little question: does that 12 in your nickname indicate your age??? No, you know, because that’s the impression you give.

Chilling review, barely decent album.

I completely agree with Stoney's comment. I laughed like an idiot reading it, but/since he's absolutely right.

So-so review, but on the bright side, excellent choice of album (it was about time, after Tiziano Ferro something decent was needed): Caparezza is a great artist, currently one of the best Italian rappers, if not the absolute best.

Stunning and unsettling video, I saw it for the first time when I was about 11 or 12 years old, and I think I didn't sleep for nights. I’m giving it a 4 instead of a 5 because, while admitting that this is a masterpiece from the '90s, in comparison there’s a lot of beautifully better stuff. I thought about it again: I want to be nice, so I’ll give it a 5, sure, just for free. But the Cure's videos are better.

It's the end. "Lower than this/there's only digging down."

But where have you seen all this computer stuff??? Besides in the scenes with white backgrounds, where else is there 3D in "Coraline and the magic door"? As for the idea that technical discussions about the screenplay "are irrelevant": speak for yourself. It’s like saying that the metric analysis of the "Divine Comedy" is irrelevant, or that musicological studies on Beethoven's symphonies are irrelevant, or that the compositional analysis of a altarpiece by Raphael is irrelevant. Well.

@uhuhpanicouhuh: look, I don't know how it was in the original, but for me Gamberone gave off the sense of "slow but smart" and he never seemed stupid to me, so at least for me, the Italian adaptation worked.