telespallabob

@Nes, I couldn't find the inspiration to talk about it. I wanted to reflect on the review carefully.

Damn it! It had been on my special list for months! Anyway, I'm glad you mentioned it, congratulations. Guaraldi is a great (underrated) artist and this album is amazing. The music is perfect for the cartoon: elegant, not at all trivial, it grabs you right away. An album to have without any doubt!

Stop, stop. Cut it out. Don't involve me where I don't belong! Here, I have this nickname and that's it (also because I couldn't care less about making fakes). Is that clear? I'm asking you kindly not to mention my name in discussions I'm not part of. Have a good evening.

I'm not one to interfere in certain matters, but I echo Geenoo, if you don't mind?

@Lupin, Moreno Morello? What do you have against him? @Fabermax, fortunately, this place also makes room for characters who have nothing to do with the Italian language, like yours truly. It's Christmas for everyone. Could it be that the best comment was made by the good Iside? (Jurix is out of the running)

@Lupin, you know that perhaps with the arrival of Natzinger the pope has also become subject to criticism? These are no longer the times of the "blessed and pious" Wojtyla.

In the history of humanity, I am particularly (and perhaps solely) fascinated by two figures: Rommel and Che Guevara. When we talk about the latter, a common mistake occurs (and curiously, it is mostly made in Italy): we judge him as a solely communist thinker. He is not an ideological model; he is a symbol for all those who, not believing in this unjust world, fight for an ideal, whatever it may be. He believed in a conscious people, the architects of their own history and battles. It does not surprise me that in the 1960s and 1970s, it was neo-fascists in Italy who helped to rehabilitate him (as much as it may surprise and disgust you, it is true). Ernesto Guevara gave us two great lessons: the first is outrage against all injustices, and the second is that fighting for something, even if it is utopian and doomed to fail, is always less wrong than those who give up in advance. The quote I will share is not from Che, but it may well have been inspired by his lesson, and I wholeheartedly agree with it: "It is beautiful to die for what you believe in; those who are afraid die every day, those who are not afraid die only once." (Paolo Borsellino)

I quote: "Check with the Search DeMotor that the album you want to review is not already present in the magical DeDatabase. If it is, you decide whether it’s still worth writing a review: maybe yes (you have something else to say), but maybe not.” Censorship is wrong, but they advise against it, as rightly pointed out above me. There’s no need to dwell on it for years; just read the advice.

It’s not a masterpiece, but it’s enjoyable as a film. A feel-good and Christmas movie? As a Christmas film, it’s a hundred, a thousand times better than an idol like Cantona (thinking that the number 7 after him at United was worn by Beckham and Cristiano Ronaldo is infuriating) than a Pieraccioni.

Dear Cristiano, if I may say, Azzo is not entirely wrong. It's fair that you can write whatever you like, but there were already two reviews. There is space to comment on the previous reviews; perhaps you could highlight those points you would have mentioned but didn't see addressed. You don't have to write another review; even though your analysis of the album seems correct at a quick glance. Focus your energies on albums not covered in this space, and no one will have anything to complain about, in theory. Some criticism will always arise because the only ones who can’t be criticized in Italy are Berluska and Lippi. I'm giving you a 4 for sympathy (the correct score would be a 3).