telespallabob

I don't remember where I saw it, I think at the Moretto but I'm not sure. Anyway, it deserves a lot because it addresses a heavy theme with its ideas but with the right tone.

With the "knowing music" and being connoisseurs at all costs, we have ruined ourselves. We can no longer appreciate things for what we feel or discover immediately. The passion and emotion towards something, whether it’s a song or the face of a girl walking by. We have to "inform ourselves" at all costs. Good for you, I liked the review, and I recommend it (almost as a protest, I believe you've written better ones).

A group like Anglagard deserves top-notch reviews, and this one is. Well done!

Beautiful, very beautiful review. Well done, Geb. Super, I recommend it.

I don't know them, but the review seems acceptable to me.

Beautiful review of a great group.

Nice review. I ask you if there is a specific reason why he went back to Italian (As long as he told you).

Very true: no one comes out well from this film. Petri doesn’t shoot at random; he takes precise shots and delivers ruthless critiques (still very valid today) of the industrial system and its components.

With a cover like that, you can admire it as much as you want, but it's hard for me to care about it. Aside from everything, I agree with the doctor.

Assumption: this is a huge spoiler. You mess up the cult scene! The sodomized man from Bergamo (by the way, Lopez says, when the exit polls come out showing the League doing well, that the sodomized man must become Southern) has to reveal who the killer is to the magistrate, who then becomes the culprit since, with the tie occurring (a masterpiece is the dialogue between Lopez and Renè: "But the tie puts everything into question, stay in the saddle! Of course you have a lucky break..."), "the attack on magistrates is an absolutely bipartisan topic," Lopez's exact words! The last episode of the second season is a masterpiece of satire. Anyway, the real cult of the second season are the episode with Glauco (the self-referential action), the one with Duccio the director (It's coffee break, gentlemen!) but especially the one with Stanis waiting at Wim Wenders!