telespallabob

Welcome to Debaser. A good job at the review level.

No one is born knowledgeable; in fact, we didn't just start handing out 1s left and right. So refine your style, perhaps by delving into this artist.

Exactly, here a sample can be helpful (especially since I don't know the artist). Fair review, but it was necessary to say a few more words, especially since it's the first time we're talking about him in here (for the welcome greetings, I'll let Trota write them in my place!)

Here, the true problem is never really grasped: people don’t care if Berlusconi has stolen, is hypocritical, and so on. The moral question, the ideology, and all the rest are unwelcome; they are just hindrances. Italians just want to know that they live well with their indulgences (house, car, and mistress), while someone else takes care of the “nation’s” problems; ideally, there wouldn’t even be dissent or democracy. To be even more concise: they want fascism back! They like it because it’s simple, straightforward, solves problems, and has nice slogans ("Molti nemici, molto onore", "Meglio un giorno da leone che 100 anni da pecora," and so on). It may seem like a simplistic and populist argument, but the reality is this; let’s not kid ourselves. Voting is a useless weapon; it doesn’t work and doesn’t grant you rights. We are not a civilized country where ideas or visions of the future are debated; in Italy, they bore us with ideologies and ethical discussions when the practical issues are dealt with (or not dealt with, you choose) far from the spotlight. They have been mocking us for 160 years with the idea of a united State, of a sense of belonging to a so-called homeland. All lies. Theoretically, man is free, but he becomes a prisoner the moment he thinks that his freedom is guaranteed by a system called democracy, which systematically uses freedom as it pleases and organizes repression in the name of security (now some politicians make this argument when the victims are immigrants and are indignant, but when it’s done to the ultras, you cheer and call them thugs. Shame!). Now I provoke you: if you absolutely want to vote, at least do it according to the principle of vote trading.

Good job, a pleasant review

Of course there were already two "Boxe," you could have chosen another one. Let’s move on to the album: the fans of the historic Diaframma, when this album came out, cried betrayal, especially because Fiumani had started singing. They couldn't digest it, and even now they hold a grudge. Undoubtedly, "Boxe" is the starting point for Fiumani who comes to terms with himself and puts himself on the line: he sings, writes, and reflects. He becomes the definitive deus ex machina. Many say he has lost his way, well. These are the same people who, back in '90, no longer listened to him, missing out on "In perfetta Solitudine" and many other beautiful things.

Welcome to Debaser. A good debut (even if it's a duplicate, next time aim for something different). I have something to say about the last sentence: excluding the big names of Italian Progressive (PFM, Banco, Osanna, Orme), this album is often taken into consideration. We're not talking about a completely unknown group in the musical landscape of the time. I prefer the second album, even though here we can find an incredible gem ("Prologo").

Absolutely awesome! One of the best pairings in cartoons, in the "Crazy Races" they make you roar with laughter.

Mediocre review. I admit I know little or nothing about Graziani, so I will start with Grass's insights.

Downloaded, listened to, and reflected. A good album, it has some great tracks (“Papillon” and “L'amore ai tempi del Pattume” being the highlights). Rating 3.5 out of 5.