Il_Paolo

Dear Fake "II_Paolo", once again you're missing the mark: the approach of the Einstürzende is not that of a child, but that of an adult who, in the post-industrial era, seeks a phantom return to the purity of music through tribalism, substituting the products of his time (steel, etc.) for bongos, etc. Tribally Yours, Il_Paolo

Dear fake (that is "II_Paolo"), you don't really blend in much when you confuse Malgioglio with the Kiss. I apologize to laRock, especially since none of the Kiss were or are gay, and their getup didn’t wink at the transgender world (like the New York Dolls)... On the contrary, Gene Simmons, a well-known lover, had relationships with Cher, Diana Ross, and I can't remember who else. Truly Yours, Il_Paolo

Well done. They inspired me a lot, around the age of two or three, when I started playing my mother's pot drums.

Beautiful review, written from the heart and with a not-so-banale message in the background: no matter how hidden, the rock spirit is within each of us, and the four horsemen of the Kiss (reduced to two, truth be told) are always ready to prove it. Many consider their music to be trite, but in any case, it has brought many people closer to rock!

Thank you Muito, I was waiting for this comment and this post. What can I say - besides that I admire you and want to care for you virtually? -: have a good and fun vacation; bring a bit of Italy into the world, we are always the most beautiful, talented, and charming. Those who consider us unreliable and not serious obviously underestimate us, from the times of Julius Caesar to those - sic transit gloria mundi - of Uncle Giulio. Originally Yours, Il_Paolo PS: but a bit of straight edge chastity rather than Gegia, right???

I briefly return to this page: in my opinion, Rivoli is one of the most interesting voices on Debaser, a site for music reviews, yes, but free and open to everyone's contributions and the originality of each person's thought. His best pieces are those that blend everyday experiences and explain how music has impacted them, serving as a soundtrack and counterpoint to stories that - seemingly personal - carry a universal meaning: here, an album with a significant title (Scar Monsters) allows us to witness the unraveling of a love story due to the religious psychoses of the beloved, reflected in the story of Claudia Koll, the one who in "Così fan tutte" was involved with a priest and today is with priests. Tell me if there isn't something profound in these seemingly harmless digressions, and if, upon listening to Bowie again, this story doesn’t come to mind, seasoning perhaps mediocre music! Critically Yours, Il_Paolo

Ok Marco, however in life, one can also give space to emotions, personal experiences, or make more or less risqué jokes about the subject of the review and leave it at that. What surprises me a bit, as a user of the site even before being a reviewer, is that, thanks to the controversies you orchestrated, this page has been visited over 1700 times (and not all comments are about the film, quite the opposite), while my review of Bergman, or others, are ignored. It’s not my fault, thank goodness. Although this certainly doesn’t mean I’m giving up on my "mission," last night I was proud to see "Sapore di mare" on Due. Consciously Yours, Il_Paolo PS Do you know what happened to Muitosaudosismo? Is it on vacation?

Ok Marco, however in life, one can also give space to emotions, personal experiences, or make more or less risqué jokes about the subject of the review and leave it at that. What surprises me a bit, as a user of the site even before being a reviewer, is that, thanks to the controversies you orchestrated, this page has been visited over 1700 times (and not all comments are about the film, quite the opposite), while my review of Bergman, or others, are ignored. It’s not my fault, thank goodness. Although this certainly doesn’t mean I’m giving up on my "mission," last night I was proud to see "Sapore di mare" on Due. Consciously Yours, Il_Paolo PS Do you know what happened to Muitosaudosismo? Is it on vacation?

Fortunately, I had already eaten my pasta with tomatoes and arugula before reading these last posts. I kindly ask everyone not to play too much into the game of Poletti and related fakes, who, in a not-so-hidden way, try to corrupt the interesting debates and viewpoints that arise from my modest lines with not-so-happy comments. The reviews by Il_Paolo are meant to reflect on "minor" cinema/music and the implications—desired and otherwise—of these small works: the rest is just superstructure! Marco, this weekend take a trip to some shopping center in the suburbs, get some fresh air and relax. I'll be waiting for you, more serene and proactive, on Monday. SV, Il_Paolo

I just want to understand: was it filmed in Bergamo? Because otherwise there's a typo in the title.