templare

Thank you for the extremely useful information.

...I don't know, something wasn't published. The final sentence is... "But since today I heard that D'Orazio from the Pooh is the best Italian drummer, then anything goes!" Pardon.

I really think you just smashed your teeth.... Well! Williams with that psycho look is funny. Musically, in his genre, maybe for a while he set the standard. I repeat, in his genre!! 5 stars seem too many. But since today I heard someone say that D'Orazio from Pooh is the best Italian drummer...... then anything goes. Long live freedom of thought.

It's not really my taste in music. I've had the chance to listen to a few songs on the radio. She has a nice voice, and physically, I find her quite cute. Aside from that last silly comment, I respect your choices. Now forgive me, but I need to recover from the terrible news I just learned: the Pooh might be breaking up. Stefano D'Orazio, considered by some to be the best drummer ever in Italy, is leaving the band. THANK YOU, GOD!!!! :))))))

...well....splendid.

Congratulations! Great review and recommendation!! Thank you.

I only own the first 4 albums by CCR. I have never listened to this album you mentioned.

Your last paragraph explains everything. In fact, I hardly manage to listen to it twice in a row.

Let me start with this: please, if you can, don’t mention Dream Theater in comparison, even just by similarity, to King Crimson. Aside from this somewhat ironic reflection, maybe you’ve forgotten that Mel Collins also plays on the album. Anyway, as I've already written to the point of boredom, KC alongside Van Der Graaf Generator are my favorites in the progressive realm. Red is a great album. Did you know it was the first to feature a photo of the band members? This album (which some consider inferior to Lark's... and Starless...) concludes a glorious adventure led by Fripp, Bruford, Wetton, and Cross. Fripp himself stated at the time that this was the best Crimson lineup. BUT the good Crimson King made many such statements, often contradicting earlier ones. For example, Fripp claimed he had grown tired of the sound of the saxophone. Indeed, in the two previous albums, no session musician was called in for horns. Then, on Red, you find the immense Collins, but Fripp never offered any explanation for this change in direction. Aside from these insignificant details, Red deserves to be listened to even today.

I know I'm a voice out of the chorus. But I've never liked this band. Just like the covers of their albums: horrendous!!